Monthend Video Game Wrap-Up: November 2014

Another month down, another month saturated with Smash Bros. Two flavours of Smash Bros this time, even! And also some other things. Mostly Zelda. Why do I even own any non-Nintendo machines?

~ Now Playing ~

Super Smash Bros for Wii U (WiiU) – Thank you, Nintendo.

Pokémon Alpha Sapphire (3DS) – Having completed the Generation VII Pokédex in Pokémon Y, I decided to eschew my normal Pokémon tendencies and do a nuzlocke run. It was going really well until my Voltorb died and now I don’t know if I have the will to go on. Poor Vince, he was so young…

Hyrule Warriors (WiiU) – I’d be done this if it weren’t for the massive DLC packs that keep coming out. They add weeks and weeks to the game’s already-pretty-long lifespan. And I haven’t even finished the original Adventure Mode yet!

Wii Fit U (WiiU) – I really shouldn’t bother writing this in, but I’ve been using it a lot lately! Enough that I’ve even gotten passably good at that waiter game that I used to hate with a firey passion. Still, every time I turn it on, I get a sad from remembering that I lost my Fit Meter long ago.

Always Sometimes Monsters (PC) – I don’t even know where to start with this one. It’s a 2D RPG in a modern setting, where you’ve got to wrangle up a bunch of money to pay your rent. There’s more than that, but I feel like going into it would ruin it. It’s a bit slow, but it seems like a good way to spend a few Saturday mornings.

Alien: Isolation (360) – It’s too scary to type anything about it!

Super Mario Advance (GBA) – This was the only GBA game I owned for quite a while, so I played the ever-loving crap out of it. That also gave me great deal of nostalgia for it. I’d love for it to be HD-ified, because it’s my favourite version of Mario 2, but the colours look so faded and it doesn’t fit quite right in GBA resolution.

~ Game Over ~

Super Smash Bros for 3DS (3DS) – I’m not ceasing to play it, but I’ve cleared all the challenges, so I’m calling it beaten.

The Legend of Zelda: Twilight Princess (Wii) – Probably should have lumped this one and Majora under “Re-runs” because I burned through them both fairly quickly, but I think the “Game Over” category has a little more clout. Or something. I really like Twilight Princess. This is the fifth time I’ve beaten it. To 100% (less the Poes because F the Poes).

The Legend of Zelda: Majora’s Mask (N64) – I always start writing this feature near the beginning of the month, and initially I’d written a blurb about how I’d like a 3DS remake of this game to happen. Guess what was announced literally that afternoon. Still played the N64 version because I had just dropped $10 on the Virtual Console version. You’re welcome.

Picross e5 (3DS) – Yup it’s another Picross game. And I played it.

Spirits (PC) – Kind of like Lemmings, but less cartoony and more artsy. Also your spirits can’t do nearly as many things as lemmings, and any action effectively kills them. I played through all the levels, but I just don’t care about it enough to bother with perfect clears. I wish that would stop being a thing.

Mighty Gunvolt (3DS) – A cute little 8-bit freebie they gave away with Azure Striker Gunvolt (which I still haven’t played). Four stages and a final boss of very base-level Mega Man-style action. Not totally fulfilling, but a good way to kill twenty minutes.

The Love Letter (PC) – An adorable browser game that I wrote about a week ago.

~ Re-Runs ~

Mega Man X2 (SNES) – I usually play through Mega Man X once or twice a year, but I only go through X2 every few years and almost never touch X3. It’s really too bad, because X2 is pretty good. I just don’t know the optimal way through the game, so it seems like I end up revisiting stages to collect power-ups more than I should have to.

Year of N64 – November – Majora’s Mask

It’s a little-known fact that The Legend of Zelda: Majora’s Mask is my third-favourite Zelda game. Shocking, right? It’s a little divisive, but that’s only because of fools who can’t deal with the time limit. People who dive in headfirst and take the time to truly experience the game generally come out with a great appreciation for it and the living, breathing world that resides inside of it.

Majora’s Mask had it rough from the start; it was released on the same day as the Playstation 2. Whoops. Mega Man Legends 2 suffered from a very similar overshadowing, being released only two days prior. What a “fun” coincidence that two of the best sequels of that generation met with the same terrible fate.

Majora’s Mask wasn’t just a sequel though. It shared so much DNA with The Legend of Zelda: Ocarina of Time that you might think it was the same game. However, Majora took things in a wild and disturbing new direction. Ocarina was a revolution for the series as far as visuals and gameplay went, bringing Zelda into 3D and all that. But it still stuck fairly close to the Zelda formula: go through eight(ish) dungeons and then fight Ganon. Get a Triforce, save the princess.

The thing that many whiny pimple-faced teenagers complained about the loudest is that Majora only has four proper dungeons. Only half of what was expected of it. Regular villain Ganon/dorf was nowhere to be seen, I don’t think he gets as much as a name drop. Even the titular princess Zelda only shows up in a brief flashback. The treasure in each dungeon is a different type of arrow. Things were amiss, and at the time, fans were not happy about it.

But there’s so much more to this game than popping in all the familiar elements, giving them a new coat of paint, and calling it a day. In fact, Majora’s Mask is the exact opposite. It re-uses Ocarina’s assets without shame, and keeps the vast majority of Ocarina’s tool set. The basic gameplay mechanics are the exact same. It’s all very familiar, but the way that all these thing are put together is like nothing before and nothing afterward.

As the story goes, out hero Link stumbles into the bizarre world of Termina, a place that seems familiar at first glace, but if distressingly alien upon closer inspection. Speaking of distress, there’s a gigantic, grinning moon in the sky, and it’s falling. In only three days, that moon will collide with the Earth, eradicating Termina and all of its inhabitants. It’s a tension-filled race against time.

Well, maybe not that tense. You see, you have the power to turn back time whenever you like, and start the three-day cycle anew. This throws a lot of people off. “How am I supposed to win in three days?” they ask, stupidly. You’re not. You’re supposed to accomplish a few little things on each cycle. You’re not expected to be doing something important for entire duration of all three of those days.

This repeating three-day cycle is the other huge point of contention among the haters. “But everything I did is undone when I reset time!” they complained, ignorantly. That’s kind of the whole point.

The overarching theme of Majora’s Mask is despair. It’s oppressive, violent, and bleak. As you play those three dire days over and over again, you’ll get to know the people of the land. You’ll see their excitement for the coming carnival slowly give way to despair for their coming doom. There are very few gaming experiences that are so chilling as running around Clock Town with only a few hours left to impact.

Take the postman for example. He jovially runs around town, picking up and delivering the mail every day. He is shackled to his rigid schedule, but he loves his work. He’s perfectly happy with his daily routine. Until the evening of the third day. If you enter the post office at that point, the postman will be writhing on the floor, unable to run for his life because of his duty to adhere to the schedule. On his bed is an opened letter, written to the postman by himself, urging him to flee even though it’s not on the schedule. But he can’t do it, can’t save his own life. His life is his work. What would he have left if he abandoned his post? It’s dark, it’s haunting, it’s beautiful.

Of course, you can help the postman. There is a way to convince him to run to safety. But then you start the cycle over, and it’s like you never did a thing. The new instance of the poor postman will probably spend his final hours in mental agony, wishing that he could run, but unable to. Because you won’t save him again. Why would you? You already have the Postman’s Hat for doing it once. Every future postman (until you complete the game) will die a horrible death.

That’s just how it is. Many of the people of Termina have problems. Some more dire or elaborate than others, and you’re literally only helping them for the prize. You’ll gain no satisfaction from giving them a hand, because when you turn back time, it’ll be like you never did anything at all. And you’re going to feel bad about it too, because these characters are very well-realized. while the NPCs in Ocarina were just sort of there, these are people with lives and schedules and personalities. You’ll get to know them well, watching them live out their last three days over and over again.

Yeah, it sounds really bleak and depressing. And it is! But think back, and try to imagine any other Zelda game that’s actually evoked an emotional response from you (aside from The Wind Waker). There probably aren’t any. Majora’s Mask is unique in that it’s a game world that makes you want to save it. You’ll feel beaten down and hopeless most of the time, but that just makes it that much more rewarding whenever you make those little bits of permanent progress.

When it first came out, I did feign disinterest in Majora’s Mask while in public, because that was the popular opinion amongst my peers, and high school is the very last place you want to stand out from the crowd. But secretly, I adored it. I was charmed by its offbeat world, I appreciated the three-day cycle, and I loved the grim atmosphere that permeated the entire game. There was a point in time where I would go home after school every day and play it until I fell asleep. Must have beaten it four or five times in a row. Even if it’s not the best video game, it’s absolutely a work of art. I can’t wait to experience the polished-up version on 3DS.

Monthend Video Game Wrap-Up: October 2014

I really didn’t think that I’d play many games in October, what with the Smash Bros and all, but I did! Less than usual, perhaps, but I’ve still got a respectable list here.

I didn’t do a very good job of playing anything terribly Halloweeny. I didn’t even buy Alien: Isolation or The Evil Within. A few of the games on this list are of a spooky-ish nature, but nothing overtly horror-themed. And Monster Manor doesn’t count, because I play a little bit of it every month.

~ Now Playing ~

Super Smash Bros (3DS) – Yeah, this version of Smash doesn’t play on a TV, but it’s so good. It’ll probably be the death of my 3DS. It’s great to have Smash on the go anyway.

Dragon’s Dogma: Dark Arisen (PS3) – Dark Arisen is an expansion pack for the original DragDog. It was not released as $15 DLC, but rather a reissue of the whole game plus the new content for $40. I wanted it badly (DragDog is one of my favourite games), but not at that price. When it went on sale for $7 in September, I nearly exploded with excitement. However, I only played up until the point where I was able to leave Cassardis.

Hyrule Warriors (Wii U) – I may have plugged almost as many hours into this as I have Smash so far. Currently I’m trying to clear off as much of the Adventure Map as I can. I’d say I’m three-fifths done. Maybe?

Continue reading Monthend Video Game Wrap-Up: October 2014

Year of N64 – October – Army Men: Sarge’s Heroes

I have two strong memories regarding Army Men: Sarge’s Heroes. The first is having spent a lot of time playing with a very good friend of mine who I’ve barely talked to over the last decade. Thinking about it makes me a little sad about how I lost touch with many of my friends because I’m so self-centered and bad at taking initiative.

The other memory is of having finally beaten the game after a rental or two on Halloween night. I remember battling my way through the final stage while my brothers were out trick-or-treating, and having to take a break to watch the new Treehouse of Horror. Also gorging myself on treats stolen from the bowl meant for trick-or-treaters. Sadly, it is the stronger of the two memories. Probably because of the whole “I’m so self-centered” thing.

Anyway, that’s why I chose this game to play in October. For whatever reason, Sarge’s Heroes and Halloween are inextricably linked in my mind. Go figure.

Playing Sarge’s Heroes again seemed like a bad idea at first. My nostalgia for the game left a very nice impression in my mind, even though I do seem to recall it being pretty janky even at the time. And janky it is. It lacks a lot of handy features and smooth edges that we’ve gotten used to in modern games, but I would wager that back in 1999, it was still passable. Possibly even good.

Controlling Sarge is the biggest problem with the game. He moves at a brisk pace, but the game works on a tank-like control scheme where pressing the control stick to the left or right will turn Sarge in that direction, not move him that way. Unlike Resident Evil and other games that use this control scheme, Sarge doesn’t have to stop to turn; you can swerve him to either side while moving forward. It’s not perfect, but it’s something.

There are also no camera controls, so you’re stuck hoping for the camera to swivel in the direction you want it to. Most of the time this amounts to you running around blind for a moment while you wait for the camera to get behind Sarge. There isn’t even a button to quickly snap it behind him like in 3D Zeldas. You can press the first-person aiming button to get that effect, but you’re stuck going into first-person mode for a second that way.

Strafing is a skill that can help you to deal with these issues, but it’s the kind of strafing where you hold a button and then Sarge walks sideways instead of turning. And it’s on the Right C button for some reason. Sure, it’s the best you can do without a second analog stick, but it’s still not ideal.

The most important thing I want you to take away from this review is this: if Army Men: Sarge’s Heroes had a modern control scheme (including camera control), it would be a considerably better game. Let me play it with a dual-analog controller of some sort and my opinion of it would be very positive. I don’t even care if the graphics are crummy and the gameplay is simple. I like it that way.

That said, it’s still actually pretty fun. The game is made up of fifteen missions, each of which drops you on a reasonably-sized map with a big X marking your destination, and lets you come up with your own way to get there. Some maps are less open than others, but they’re all fairly unique and give you plenty of opportunities to goof off and explore.

Some missions simply require you to get to the X. Sometimes you have to destroy a certain thing, and sometimes you’ve got to escort someone. The escort missions aren’t nearly as bad as you might imagine, as most of the time your ally is smart enough to hide from enemy fire. Occasionally they won’t though, and they do get shot to bits pretty fast if you aren’t keeping tabs on them.

One of the modern conveniences that Sarge’s Heroes lacks is checkpoints. All missions have two or more objectives, and there’s no saving between them. If you get killed, it’s back to square one. It’s a bit of a pain in the behind, but most missions are fairly short, and if you know what you’re doing, they generally won’t take more than five to ten minutes.

Enemies function exactly as you imagine they would in a game from 1999. They’re either sitting in one spot, waiting endlessly for you to get too close, walking a predetermined sentry path, or set to appear when you trip an invisible switch. Their AI is pretty pitiful. Once they spot you, they’ll either charge straight at you or stand perfectly still and fire a shot every few seconds. No cover, no dodging. It’s pretty much a shooting gallery. The only time enemies get any more dangerous is when they’re packing better hardware. For example, shotgun troopers deal heavy damage and flamethrower guys can melt you pretty much instantly.

Tanks and helicopters can be incredibly dangerous foes, but they can also be handily dispatched by figuring out their range of vision and picking away at them from just outside of it. If you know where they show up and how they move, they shouldn’t cause you much trouble at all. If they catch you off guard though, about the best thing you can do is to run away like there’s no tomorrow.

Sarge has a fairly wide array of weapons with which to stop the Tan army. Most of the time your M16 is more than enough to handle the situation, but you also have access to sniper rifles, shotguns, grenades, rocket launchers, flamethrowers, and… a mine sweeper? Each weapon functions pretty much exactly as other video games have taught you. The bazooka you obviously want to save for tanks and choppers, but the sniper rifle and grenades are fantastic ways to clear out enemies without getting your hands dirty. They’re almost too effective…

The one thing that really, really irks me about the gameplay is how enemies show up on the mini-map. Tan blips don’t appear until you’re close, which I can understand. Don’t want to make it too easy, you know? But they also don’t disappear until long after you’ve already killed them, which is annoying, and means that you’ll be waiting around for a few seconds after every encounter to see if you’re dispatched all the nearby foes. It’s really not a huge issue, but it still bugs me way more than it should.

There isn’t a lot to be said about the music in Sarge’s Heroes, as it’s mostly cheesy faux-military sounding stuff. However, there is one track in the game that is so very similar to Van Halen’s version of “You Really Got Me” that I’m sure a few people didn’t notice that it was just a ripoff. There may be more “borrowed” tracks in the game, but I didn’t recognize any during my time with it.

Army Men: Sarge’s Heroes isn’t really a great game, as far as the average video game enthusiast’s standards go. It’s got a lot of rough edges, but there’s a fairly solid product under there. I really like it, and if I were able to maneuver Sarge around a little more gracefully, I think it could be a contender. It even makes me want to seek out and play some of the sequels, but word on the street (Wikipedia) is that Sarge’s Heroes 2 is good and then it’s a steep downhill plummet from there.

In any case, it was a breath of fresh air after Donkey Kong 64.

Happy Earthbound Appreciation Day!

Oh, wait. No, that’s not right. It’s Thanksgiving. In Canada.

Anyway, this adorable little tribute video has been making headlines around the web over the last couple days, and I figure that it’s my solemn duty as a Massive Earthbound Fanboy to share it as well. So here’s an embed of it. Enjoy. And if you tear up a little, it’s quite alright. Nobody’s going to judge.

Yup. Occasionally the internet is used for good. Overwhelmingly beautiful good. But seriously, everyone should love Earthbound as much as this woman does. The world would be such a wonderful place.

Oh, and happy Thanksgiving. I give thanks for all the wonderful people in my life, without whom I would be absolutely lost. And for video games. And moments of pure beauty like the one embedded above.

Separation of thumb and avatar

The very first thing that the wife and I did after we’d tallied up our wedding presentation was to go out and purchase a massive new television. That was two and a half years ago, and it’s served me well over time.

The TV has one little issue though: it doesn’t play entirely nice with old video game consoles. They will hook up and display and everything, but they suffer for a noticeable input lag. This quirk is common to all HDTVs as far as I’m aware, so why is it worth talking about? Because my TV has a “game” setting that works really well for eliminating that lag, but it has a major flaw when used on an input that’s coming through normal composite cables, the very kind that an N64 or PS1 would use.

Everything seems fine at first when you set the input’s video setting to “game.” It’s displaying properly, the sound is coming out fine, and the input lag is gone. But then, suddenly, a massive wave of rainbow-coloured noise washed over the screen. It only lasts a second, but it happens every 15-20 seconds, so it’s a little annoying. It’s also much more distracting than it sounds.

Up until last month, I lived perfectly fine with the input lag. Oh, sure, it’s a little annoying, but most of the time it’s not a huge deal. It’s not like I play any rhythm or otherwise timing-sensitive games on my N64. But then Donkey Kong 64 happened along. Several of its mini-games and challenges flummoxed me hard. They were seemingly impossible to beat, the most maddeningly frustrating gaming experiences that I’d had in ages.

Yet I didn’t recall the game being so overly difficult. What happened? Input lag. You might call me crazy, but when I started switching the video mode from “normal” to “game” every time a mini-game popped up, DK64 became a much smoother, more bearable experience. Even the stupid Beaver Bother mini-game, a mini-game which I truly believe was forged in the depths of Hell, went from impossibly hard to a mild annoyance. My aggravation subsided, and I was free to finish the game.

If you’d told me a couple months ago that input lag could have such a profound effect on a single-player 3D platformer, I would have called you nuts. The fact of the matter is that it completely changed my Donkey Kong 64 experience. When your controls are slowed by even half a second, it makes so many elements of the game so much more difficult than they actually are. Having to deal with the stupid noise wipe was nothing at all compared to the trouble caused by the lag. Funny thing is, I haven’t come across any other games that it hampers quite so badly. Um Jammer Lammy and Jet Force Gemini are just as difficult with or without any lag, and pretty much every other game has worked just fine.

The moral of today’s story? I guess it’s that I need to pick up an old standard definition TV to play my really old video games on. And then find somewhere to put that TV, since there really isn’t a big enough spot anywhere in my home to accommodate yet another gaming setup.

Oh, or I could just never play Donkey Kong 64 again. That’s probably the right thing to do. Because really, eff that mess.

Monthend Video Game Wrap-Up: September 2014

Hey, it’s the best month of the year! And a month where I decided that it was time to focus on a select few games instead of trying to play everything under the sun. These Monthend posts really shouldn’t go over 1,000 words.

Anyway, final vacation week of the year, and I… spent most of if watching TV and sleeping in instead of playing games or doing something productive. Oh well!

Oh, and I guess this marks the first year anniversary of this Monthend feature. I figured I would’ve flaked on it long ago.

~ Now Playing ~

Super Smash Bros for 3DS Demo (3DS) – Okay, so it’s weird to be counting a demo here, but how many demos have you played for over 6 hours? Yeah. Besides, I got the special version without a usage limit (the regular version can only be launched 30 times), so I need to tout that as much as I can.

Gauntlet (PC) – The only PC game that I’ve ever pre-ordered. I played Legends and Dark Legacy so much back in the day that I was thrilled to hear that a new game was on the way. The final product is really good; pure Gauntlet. The only problem is that the mouse/keyboard control scheme feels weird and it doesn’t support either of my usual PC controllers. I’ve cleared the first world so far.

Hyrule Warriors (WiiU) – I have never played a Warriors game before, so while this game is dressing up a stale series in fanservice to many, it’s a completely new experience for me. And it’s soooo much fun. It shouldn’t be, but it is. I’ve finished Legend Mode, but that’s really just scratching the surface of this game’s content.

Fire Emblem: Awakening (3DS) – I have a very hard time playing any tactical RPG that isn’t Final Fantasy Tactics, so I’ve never been too interested in Fire Emblem. Picked this one up because it was on sale, and I’m loving it. Possibly because I’m playing on normal difficulty and casual mode, so I don’t have to deal with Fire Emblem’s traditionally crushing difficulty and perma-death. It’s breezy and fun, but I still have to consider my moves carefully. Hooray! I’m on Chapter 18 or so.

The Last of Us (PS3) – I’m one of the few who didn’t love this game. I don’t often agree with Chris Kohler these days, but he’s absolutely right when he suggested that it would be better without guns. I like the game in general, but I absolutely hate it when it forces you into combat. Because the combat is terrible. It might have the most satisfying stealth gameplay I’ve ever experienced, but it usually forgoes the stealth in favour of gunplay. Boo.

~ Game Over ~

Donkey Kong 64 (N64) – I loved DK64 for many years, but playing it again was sort of an eye-opener, as at the outset, I felt like I was having quite a bit of fun with it. Then things took a horrible turn. Read this for more details.

Hammerwatch (PC) – I got confused and thought that Gauntlet game came out on the 3rd, but actually it was the 23rd. Luckily, Hammerwatch came along in a Humble Bundle and slaked my thirst for a dungeon-crawling hack-em-up. Essentially it’s you (and up to three friends) in a massive series of mazes against millions of squishy monsters. Plenty of secrets to discover and winks at classic PC games made this one really stand out. I look forward to playing it again -and more thoroughly- to get the good ending.

Tappingo 2 (3DS) – Hey it’s the sequel to that puzzle game that wasn’t super but was somehow very engrossing anyway. So I played this. Solved some puzzles. It was pretty much the exact same as the first one, and that’s probably the only trait it shares with picross.

Metal Gear (MSX) – So here’s an odd one. I’ve never played an MSX game before. Turns out that Metal Gear is pretty great. Aside from a lot of totally unintuitive tricks and traps, anyway. But the overall feel I got from the game was good, so I hopped into Metal Gear 2: Solid Snake immediately after finishing it.

Metal Gear 2: Solid Snake (MSX) – It’s even better than the first! Who would have thought! Literally the only things I didn’t like about it are the enormous amount of backtracking and the stupid, stupid swamp. If you’ve played the game, you know what I’m talking about.

Saints Row the Third (PC) – Despite almost burning out by ignoring the story and just goofing of and playing with all the random distractions, I powered through to the end. With 100% even, because I loved it. Really wish that I was capable to keeping an aircraft intact for more than about a minute, though. Flying is really fun, but I am not good at it.

Demon King Box (3DS) – Finished it off, and was a bit shocked when I did, because the ending just comes out of nowhere. Possibly because the translation is awful and none of the dialogue makes a lick of sense. There are a bunch of tough post-game stages to play, but I don’t know if I like the game that much.

Life Force (NES) – Bought this VC game on a whim, because I thought I heard that it’s a little easier than most other space shooters. That’s not exactly true. I couldn’t even pass the first stage after playing for fifteen minutes. So I save-stated my way to the end. Good enough.

Super Smash Bros Brawl (Wii) – I spent a ton of time with Brawl in anticipation of Smash on 3DS. Partly to get myself psyched up, and partly to try to complete all of the challenges I left unfinished. I didn’t clear out everything, but I’m pretty close. I’ve just accepted the fact that I’ll never beat Boss Battles on the Very Hard or Insane difficulties.

~ Re-runs ~

Picross e2 (3DS) – Oh look, Ryan was playing Picross. What a surprise.

Year of N64 – September – Donkey Kong 64

I have played Donkey Kong 64 to 101% completion at least twice in my lifetime. Possibly even three times, but I can only clearly remember the two. I have fond memories of the game, recalling only a single instance -a mini-game, at that- that caused me fits of frustration. However, in 2014, Donkey Kong 64 seems like nothing but an exercise in frustration.

I’m getting a little ahead of myself there, though. If you’re not familiar with it, Donkey Kong 64 is a 3D platformer developed by Rare. Playing it again, I couldn’t help but feel like it’s more a sequel to Banjo-Kazooie than any previous Donkey Kong game. The mechanics are the same, the games feel the same, even the music is incredibly similar. Both games are packed to the gills with collectible doo-dads.

The big difference, and what works in Banjo-Kazooie’s favour, is that BK only has one playable character. Well, two, but they’re eternally bonded together (at least until the sequel). Donkey Kong 64 has five playable characters, and as such, you need to scour each stage (and the hub!) five times to collect each one’s differently-coloured set of items. Yes, each Kong has a unique set of skills, but Banjo and Kazooie had just as many skills crammed into one character. It feels like having multiple characters is just a smokescreen, making it seem like there’s more to the game than there actually is.

The character-switching isn’t a major gripe though. There are much more pressing and infuriating matters at hand here. Firstly, Donkey Kong 64 has what must be the most openly antagonistic camera in all of video games. It’s not the worst in outdoor environments, but indoors, it basically refuses to ever be in the right place because it cannot deal with walls. It does not pan freely, but rather it always moves in chunks, and is never, ever right behind the player. This makes precision platforming much harder than it needs to be, especially with the somewhat loose controls. Even worse, is that the camera does not stay fixed at the angle you choose, and will start floating all over as soon as you start moving. I’m sure it’s intentionally trying to make me miss jumps.

Camera management woes aside, the game was pretty smooth out of the gate. Everything was going well for the first two worlds. I was collecting bananas, learning new abilities, rescuing fellow Kongs, trampling bosses. It was all well and good. Then came world three. In this world, you’re given the opportunity to play the original Donkey Kong arcade game. In fact, you have to beat it to win a golden banana. This was a pain in the butt, as you only get one life, and when you lose it, you get booted all the way out of the game. If it even just sent you back to the title screen, it wouldn’t have been so bad, but each time you die, it’s a good thirty seconds until you start your next run.

Donkey Kong isn’t terribly difficult for an arcade game. I managed to win after about half an hour. But then you have to play it again. With increased difficulty (more fireballs, DK throws barrels at different angles, etc). This is where it becomes a truly massive pain, as round two seems to be simply to win a unique kajigger. It’s not until the very end of the game, though, that you’re informed that you need this kajigger to fight the final boss. Thanks, Rare. You’re kind of a dick.

Not all the collectibles are quite so bad, though. Each stage has a whopping 500 small bananas to collect, 100 for each Kong. Luckily, you’re awarded a banana medal for collecting only 75 of each colour, and only the medals count towards your game clear percentage, so you don’t have to go out of your mind tracking down each and every one. Of course, if you’re not playing to 101%, it’s not an issue anyway. Also, collecting 15 banana medals unlocks Rare’s classic arcade game, Jetpac, which is a bit more fun than Donkey Kong. You have to win another unique thingamajig from Jetpac. It’s not easy, but it’s much less of a hassle to earn that one.

There are 25 golden bananas (the game’s main collectible) in each stage, 5 to be found by each Kong. Most of the golden bananas are earned by completing a challenge or making use of a Kong’s skill. Sometimes, though, you’ll also have to win a mini-game to get your banana. Some are just boring and simple, like one where you have to win a slot machine several times or collect a handful of coins in a small maze. Some are actually pretty fun, like the one where you have to pilot a minecart around a track while avoiding other, more explosive minecarts. And then there’s Beaver Bother.

Beaver Bother is a mini-game in which you play as a Klaptrap tasked with herding a number of Gnawtys into a hole. Sounds simple. You run around and bark at the beavers, and they fall in. Or, that’s how it’s supposed to work. In reality, the beavers are way smarter than they should be, and are able to consistently run up against the edge of the hole and not fall in, as if there’s an invisible railing around it. Sometimes they do fall in, though. I don’t know what triggers it. The game seems to run entirely on luck, and it took me forever to win each of the four instances of this stupid game. There’s another one, Big Bug Bash, where you’re a flyswatter and you… swat flies. It’s a little tedious too, but that’s just because the flies are quick and unpredictable, not because the game seems fundamentally broken.

It should be noted that the first time you play Beaver Bother is in world three.

Also, for whatever reason, my game did not save properly after I completed world three, resulting in me losing a couple hours of progress. I was almost ready to throw in the towel after that. I’m sure it’s not the game’s fault or anything, but it sure didn’t ameliorate my already soured opinion of it.

I need to stop to say a nice thing about the game here. And that’s that I love the music. It takes a few cues from some more iconic Donkey Kong Country tracks, but then just spins off and ends up sounding mostly like Banjo-Kazooie. Which is just fine, because Banjo-Kazooie has a terrific soundtrack. I always enjoy Grant Kirkhope’s work.

Despite all the things that tried to hard to frustrate me to the point of quitting, I powered through and completed Donkey Kong 64 yet again. Like, to 101%. I know, I’m a little crazy. The pain was softened by a cheat for unlimited resources like ammo  banana coins, and crystal coconuts (which power special abilities). This cheat had been unlocked by a previous save file, and I had no qualms with using it to make my life a little easier this time around. Of course, it didn’t help me with the more frustrating parts of the game, but at least I never had to worry about running out of thingamabobs.

The final verdict is that no, Donkey Kong 64 is not a good game in 2014. I could have defended it in 1999, when most other games were even worse, but it hasn’t got a leg to stand on any longer. I would really like to see a modernized remake that fixes the camera and controls, redoes or replaces the mini-games, and otherwise sands down the other rough edges. Because this is a game I’d like to be able to like. The fact of the matter is that you’re much better off playing the Banjo-Kazooie port on XBLA if you’re jonesing for some Rare-style 3D platforming.

Monthend Video Game Wrap-Up: August 2014

Hey so summertime is drawing to a close, not that that means anything for adults. I guess if you’re a teacher, it’s good times, but for the rest of us it just means that you’re covered in sweat after your commutes to and from work. Hooray.

I had another vacation week in August, so I put it to good use and cleared off a few half-finished games from my backlog. But then I started up a whole new series of games, so it’s all been moot. It’s not like I had anything else worth doing. I got my yard work done too, at least.

~ Now Playing~

Saints Row: The Third (PC) – I don’t know what to say about this yet. I’ve only completed the intro missions, and I’ve mostly been driving around the city at random, collecting stuff and doing assassination missions. I’ve done a few story missions, and unlocked a sweet penthouse base. Also an unlimited supply of fighter planes!? This is absolutely the most fun I’ve had with an open-world game of this style. But somehow it’s missing fast travel. Lame. I hate having to hoof it all the way back to base when my aircraft inevitably explodes.

Continue reading Monthend Video Game Wrap-Up: August 2014

Year of N64 – August – Bomberman 64

Bomberman 64 took me the entire month to finish, despite the fact that the game clock only reads about two hours of playtime. I can’t explain this phenomenon in any other way than a simple “I had no desire to play it.”

Where did that lack of interest come from? It could be because I had filled my plate well over its edges in August, and simply was so busy with other, more relevant video games that I couldn’t be bothered to make time for Bomberman. Or it could just have something to do with Bomberman 64 not being all that fun. Spoiler: It’s both of those reasons.

I used to love Bomberman. Like, you have no idea. I bought Bomberman Generations for a whopping $100 when it first came out (though I can’t tell you why it was so ridiculously overpriced). I couldn’t help it, I was a stupid teenager at the time. As time moves on though, I find myself less and less enchanted with the franchise. Playing the classic multiplayer mode is still probably the most fun you can have with video games, but single-player Bomberman doesn’t really interest me at all any more.

So it really doesn’t help that Bomberman 64 is fairly lackluster. First of all, it’s a short game. A really, really short game. There are five worlds, and each world is made up of four stages. Two of those stages are action/puzzle levels, where you explore, blow stuff up, and make your way to the exit. The other two stages are a duel with an evil bomber-person, and the world boss. so really you’re only looking at ten stages total. Well, twelve, but more on that later.

The action stages are fairly fun. For the most part, they put you in a big open level, and then leave you to your business of finding the exit. They all have some sort of puzzle element, like chasing down an enemy who has stolen the exit (???) or closing a series of dams so that you can traverse previously waterlogged areas. Not all of them are very inspired though. One level simply has three levers right next to the exit that you have to trigger by throwing bombs at them.

Throwing bombs is a big deal though, and ends up being one of the major gimmicks of Bomberman 64’s gameplay. In the 2D games, Bomberman needs a special item to pick up and throw bombs, but here it’s an innate ability. Not only can you pick up and toss bombs, but you can also pump them up to make big bombs, which are necessary in pretty much every stage, as they can destroy things that normal bombs can’t (usually scenery). You’ve also got to be good at throwing bombs to injure most of the bosses, but it’s a little more annoying there. See, you don’t just press a button after laying a bomb to pick it up. You need to step away, turn around, and then pick it up. Bomberman can be a little finnicky about this. If you get too close, he’ll just kick it, and if you’re on uneven ground, there’s a very good chance that he just won’t do anything. In a regular stage, it’s not a dealbreaker, but during hectic boss fights, it can be a real pain in the patoot.

Bomber duels are still the most annoying part of the game though. Imagine if you will, a one-on-one Bomberman game against an AI player in a wide open arena. They’re faster than you, and they can use a special projectile attack in addition to their bombs. It’s not a good time. Fortunately, the evil bombers in this one are a little stupider than in later games. On more than one occasion I witnessed an enemy bomber try to walk through a bomb, and simply keep rubbing up against it until it blew up. The actual bosses are somewhat less difficult, as they’re big monsters with defined attack patterns, and at least one is susceptible to a one-hit kill. That or the game glitched in my favour. That’s not to say that they’re easy, but they’re less frustrating than the bombers.

The game pads itself out a little by offering a small selection of collectibles for you to find. First are the costume pieces, which I’ll talk about in a bit. Then there are the Gold Cards. There are five of these in each stage. They show up in later Bomberman games as well (as “Lightning Cards”), and have been a source of many a headache for me. Some of them are just tucked away in corners, one is a reward for beating a stage under a certain time. I assume that some are earned by completing a special requirement and possibly for killing so many foes in a stage, but I mostly just ignored them so I can’t say that for sure The problem with that is that the real final world unlocks after you earn all 100 Gold Cards. I decided that it wasn’t really worth the time or effort.

The multiplayer in Bomberman 64 is exactly what you’d expect, and I don’t feel that I have to really say anything about it. Who isn’t familiar with multiplayer Bomberman? The one note that I need to make is that the costume parts that you collect in the single-player mode and use to dress up your Bomberman are only usable in multiplayer. It’s kind of silly that you can’t use your custom Bomberman in the story mode, but what can you do?

It’s important to note that Bomberman 64 was the very first 3D Bomberman, so that goes a way in explaining why the game is rough around the edges. The later games did get better, so the issues with Bomberman 64 are definitely more growing pains than anything else. And it’s not like there’s even anything explicity wrong with the game; it just doesn’t do anything overly interesting with that extra dimension. f you’ve got to play a Nintendo 64 Bomberman, play Bomberman 64: The Second Attack. It’s a little more meaty, and has a cooperative story mode. I probably should have played that instead, now that I think about it…