Let’s Not Play

Turns out that the best way to get bored of Minecraft is to write fanfiction Let’s Play it. At least for me. I have screenshots for four more updates, and have written the second and most of the third, but the idea of playing more? Totally haunts me.

I mean, I want to play Minecraft. I really do, but the idea that if I play more I have to play whilst doing something that will keep the fanfic LP at least moderately interesting is super annoying, and makes me not want to play anymore. I really shouldn’t have made it work in a day-by-day format. Right now, I need to spend time in the game mindlessly working on finding anything resembling not-ocean, but instead I have to play it as if it were an actual man trying to do so. Bleh. I should have thought this through better.

Yes, I could create a new map to play on (I can’t go back to old maps with the super-improved V1.8 map generation), but I love this map! I was getting bored of Minecraft, and then found this wonderful new thrill in being lost at sea thanks to the random world generator. I feel like I’m exploring a real place, rather than a bunch of blocks stacked together. If this had been the first map I ever rolled in Minecraft… well, I think I’d have probably had even more fun with it. Also, if I hadn’t read the crafting wiki before playing the game. That may have ruined it a little.

Mostly, I like 1.8’s addition of a hunger meter. I don’t know what happens when it’s empty, but the game sure feels more game-like when you have an objective (of sorts). Not to mention that on my island map, I haven’t seen even one animal mob. Maybe it’s just coincidence, maybe the rules about where pigs can spawn have changes. Either way, I like that I’m actually having to work to keep my Minecraft Man alive. And yeah, that’s how I feel about Minecraft today.

Defectsiders

I’m not sure what happened to the texture on this bus in Darksiders. I stood there for a minute waiting for it to load,  but it never did. I also never passed by the bus again for the rest of the game. I kind of wonder if some programmer put the placeholder texture there and then forgot to go back and put the real one in. Or maybe it just decided it wasn’t going to load that day. It wouldn’t be the worst bug I encountered in the game; after beating the boss of the coliseum, the cutscene that was supposed to come afterward didn’t, and I sat there, trapped in the coliseum, running around like an idiot for twenty minutes before resetting. I had to do the entire coliseum sequence again, too. Apparently THQ felt that was the only place in the entire game that didn’t need a copious amount of checkpoints. Apparently it did.

Let’s Play Minecraft – Day One

My head hurt.

Everything was blurry for the first little while. I laid on my back, basking in the warm sun, trying to process any kind of information at all. I tried to watch the clouds roll by. Tried to find recognizable shapes in them. The throbbing in my head denied me concentrating on even that though.

Time rolled on. I tilted my head to the side a little, just enough so that the blazing sun wasn’t directly in my eyes. The thing certainly wasn’t improving my headache. Tall shoots of grass quivered in the gentle breeze. Getting past the pain, it was all actually quite serene. The sensation of absolute peace was calming, a feeling that I haven’t had the luxury of since then, and eventually I was able to push the pain out of my immediate thoughts.

I closed my eyes and listened to the wind.

I don’t know how much time had passed when I finally found the strength the at least sit up. It didn’t change anything. Not really. Instead of the pale blue of the sky, I was then surrounded by the deep blue of ocean. Miles and miles of ocean. Off in the distance behind me I saw a small patch of green and tan jutting out of the endless navy. Suddenly I realized that something was amiss. The calm was quickly replaced by terror.

My heart began to race.

Where was I?

Who was I?

These are questions I still don’t really have the answers to. At this point, I don’t think they really matter. But I’m getting ahead of myself. If I’m going to tell this story, I’m going to tell the whole story. You might want to grab a snack, this is a long one.

As a million questions about what was going on raced through my mind, I frantically looked around me for anything at all that might give me a clue about anything. But there was nothing. I was sitting at the peak of a small island. It jutted maybe five meters high out of the ocean, at most. The whole thing was covered in unspoiled green grass. The only shoots that were bent at all were the ones that had been under my body. If someone had brought me here, it certainly wasn’t very recently.

Doing a thorough survey of the land didn’t take long. It was an amazingly featureless little patch of land. On the northwest side, some of the grass had grown out of control (I still don’t know how the rest of the island was so well-maintained). To the southwest was a small sandbar which was mostly underwater, and plunged into the depths before it stretched too far from the land. The east side was host to a wall of dirt, and looking out in that direction was all I had if I wanted to see more than blue leading into more blue.

The faraway island didn’t seem as far away as it did when I first noticed it. Perhaps that had something to do with my newfound feeling of necessity to escape this tiny landmass. The other island looked significantly bigger than the one I was standing on, too. It must have been at least three times the width. While it was the only ray of hope for me, I couldn’t help but despair, as despite its larger size, the other island appeared just as barren as mine. But if there was a larger piece of land that way, maybe there was an even bigger third island farther out! And more beyond that!

In any case, I had to come up with some sort of plan. I had to find something, anything that wasn’t grass or water or dirt. Despite the dire situation I was in, I started to get a little excited that I was going to be able to explore lands that appeared completely untouched by humanity. My body’s need for sustenance was becoming more noticeable too. At the very least, I would need to find something to eat. That would be my priority for now.

I waded into the water, eager to start my hunt. And suddenly I was submerged completely.

As it turns out, my island wasn’t your typical island, and wasn’t an underwater mountain, but rather a very tall spire pointing out of the earth. Aside from that one sandbar, the land basically all dropped straight off as soon as it went underwater. Everything I felt like I knew about geography was screaming out at me that this was a very unlikely way for land to form, but so it had.

And then I was attacked by an audience of squid.

“Attacked” might not be the best word to use though. It was more like I fell into the group of cephalopods as they were swimming by. I couldn’t remember if I liked calamari or not, but I figured that this was a pretty good opportunity to find something to fill my belly, so I grabbed the tentacle of one the the squid and punched it repeatedly. It tried to flounder away like a spineless coward (ha!), but it was no match for my furious fists. Much to my chagrin, the thing just popped into nothingness when its life expired. It did leave behind a trio of ink sacs, but they were decidedly not edible. Looks like squid were not the answer.

I continued swimming over to the next island, and as I’d surmised, it was completely devoid of anything that I could use. The entire west half of the island was a flat square with little beaches capping its corners and a submerged shoal connecting it and the grassier east side. The island’s overall geography did seem a little less like a third grader’s doodle of an island than mine, with outcroppings of dirt here and there. There was a single, lonely flower growing on the north shore, which I thought odd. The flower’s bright yellow petals stood out brightly against everything else. Between it being the only real landmark thus far and being completely useless to me, I decided to leave it there.

Out to the east of this island, I was very excited to see that there was indeed a third island! Maybe I would find something there! From what I could see, it was even bigger than this one, and unless my eyes were playing tricks on me, it was even home to a small tree.

I was able to wade between island two and three, as the two were actually connected. More flowers bloomed on the stretch of land pointing at island three. The north sides dropped off into the black depths of the ocean like the entire circumference of my island, but the land stretched out quite a ways to the south, with a fairly gradual incline. This was more like how I imagined islands were supposed to be. Perhaps the first island was just a freak geographical accident.

The third island featured nothing that I hadn’t seen on the last two, with the major exception of that tree. It was considerably bigger than I’d estimated, and I saw potential for forging some incredibly primitive tools from its wood. I didn’t have an axe or anything, so I set about punching the trunk of the tree until it came down.

My knuckles were bleeding pretty bad (in hindsight, maybe kicking the tree down would have been a better idea) once the tree was felled. I had an armful of wood now, and to my surprise, tiny saplings erupted from inside the tree’s leaves when I felled it! Since it wasn’t the strangest thing I’d seen all day, I collected them and figured that at the very least, I could plant them so that they could grow and provide me more wood.

I was hoping that yet another island would become visible from island three, but things were not looking good. Indeed, I did spy another landmass, and it looked like a big one. The hitch was that it was at least twice as far between here and there as it was from island one to island three. I wasn’t sure I’d be up to that kind of swim, especially since I was already getting pretty exhausted from the day’s activities and lack of nutrition. Maybe I’d give it a shot the next day.

At this point, the sun wasn’t hanging quite as high in the sky, and I decided that I would have to create some sort of shelter. Unfortunately, the second and third islands were pretty flat, and I wasn’t about to live in a pit. The first island’s dome shape and relatively flat eastern facing made it the perfect candidate to turn into a cave that I could call home. So, with tree bits in tow, I began my return to the first island.

Because I’m sort of a sentimental guy, I figured I would name the trio of islands that I’d been adventuring on. If nothing else, trying to come up with clever names would help keep my mind of the more desperate nature of my situation. I settled on “Home Base” as the name for the first island. What else would I call it? Island two became “Gemini,” as it was separated into two halves, and island three was “Tree Island,” despite the fact that I’d removed the tree it was named for.

I also decided that it would be funny to refer to the collective islands as the “Daisy Chain” for all the little yellow flowers blooming on the larger two islands. It wasn’t long before I questioned my sense of humour.

When I made it back to Home Base, I immediately went to planting the saplings I’d collected, considering it was probably best to have more basic materials as soon as possible. Considering that entire saplings had spawned from the tree rather than just seeds, I was hoping that maybe they’d grow into whole trees at an accelerated rate too. In this land of mystery, I felt like anything could happen, no matter how ridiculous.

I then set about tunneling to the creamy candy center of the island. I would have liked if there had been candy there, or any kind of edible substance. What I got was dirt, dirt and a bit of rock.

Hollowing out the dome took the bulk of my night. It wasn’t much of a living space; the ceiling was just high enough that my head didn’t rub against the top of it when I stood upright. I broke down the wood, and used it to fashion a crude table. From there, I used some more wooden bits to make some rather ugly pickaxe-like tools. I tried using one to dig through the rock, but it was only marginally better than using my now very bloodied fists.

There wasn’t really much else I could do. The night had set in, and the hot sun had given way to cool ocean winds.

It was the least I could do to huddle in the corner of my cave. I put up some makeshift doors, created with the rest of my wood, in hopes of keeping the westerly wind out of my den.

I have no idea why, but fate really had it out for me. I mean, amnesia and being lost in the middle of nowhere I could deal with, but why couldn’t I be lost in a forest or on a mountain instead? You know, somewhere where I could easily forage for food and gather survival supplies. Out here on the ocean, with no trace of civilization, what hope did I have? The only life out here besides me were the flowers on Gemini and Tree Island. Squid too, I suppose, but a fat lot of good those would do me.

I laid down in the dirt and closed my eyes. If I didn’t find something edible tomorrow, that would be the end of me.

Mystery Case Files: The Strayed Solo

I heard the Knack’s “My Sharona” on the radio today. I was pretty excited beacuse it’s not one of the songs they play every day. Also, I love “My Sharona.” It’s got one of my most favoritest guitar solos ever, and I enjoy the rest of the song prety well too.

But something was wrong. I don’t know if there’s a sound channel missing on the specific radio the music was coming from, or if the station did something funny or what, but the solo was missing. Well, the lead guitar was missing from the solo, which is the same thing, really. So there was a big almost three-minute gap in the song that was just the rhythm playing over and over.

I don’t think it was that the music was censored or anything, because why would you censor a guitar solo? I heard “Through the Fire and the Flames” on an alternative station once and they cut huge chunks of the song out, but I get that because the song is ten-ish minutes long and that would completely overwhelm the kind of person who listens to the radio by choice.

But again, it wasn’t cut for time, because the space where the solo goes was there, it just didn’t have the lead guitar. “Beat It” and “Boys of Summer” came on afterward, and neither of them were missing any instruments, so I have no idea what happened. All I know is that it was a tiny little tradgedy.

Fortunately, that was the worst thing that happened to me today, so I’m not going to complain too loudly.

My pop is about to brain

It took all damn day, but I’ve archived every single word I blogged this year here on the WordPress powered site. When I first approached the task, I figured it would be a piece of cake. Now that I know what I’m doing, using WordPress makes blogging life so easy! Turns out I had a rather impressive buttload of stuff to move over though…

By the end of the year, I intend to get everything loaded up on here, creating what will be the definitive version of my website. I probably should encase it in carbonite and hang it on a wall or something at that point so I don’t go and ruin it.

Also, over the last couple days, I accidentally started a Minecraft Let’s Play. Yeah, I don’t know how it happened either, but It’s there, and I feel like I have to see it through. Here’s the little art project that set the whole thing in motion:

I started a new world in the game, because I do that when there’s a major update (hey, did you know there was a huge update on Friday?), and I was plopped on an island in the middle of nowhere. You’ll get more details when I start making the LP posts. Oh, and don’t worry, it’s a screenshot LP. I only dream of being interesting enough to do video LPs.

Fancy Pants

Just kidding. I have pretty regular pants on right now. But look at this website! It’s pretty fancy now!

Um, yeah. I decided to move over to WordPress because it’s easier. If you visited during the course of the day, you may have seen this space filled with all sorts of sweary words, because figuring everything out (without reading any documentation) was a little tough. But it’s all good now!

Now there’s just the matter of moving stuff over. I doubt it’s gonna happen though. 6 years later I still haven’t moved all the Angelfire content to my own webspace. Oh well. We’ll see. For now though, just enjoy the article I uploaded below this post (assuming you’re on the home page).

Catherine

It's mature!

Catherine is yet another game about duality. Yeah, there are lots of those. Ikaruga might be the most obvious and easiest example (Breath of Fire IV being the least obvious but most noteworthy). It’s not a terribly original idea for a video game anymore, and really, it wasn’t even an original concept in general by the time video games came around. I’m not a literature enthusiast, so I can’t name any examples, but I’m certain that traditional authors beat the idea into the ground long ago. Catherine however, uses it to great effect and unlike Ikaruga, does so a little more subtly. And by “subtly” I mean it’s not a core gameplay mechanic.

This duality becomes apparent if you notice the game’s logo, which is a yin-yang-esque seal that features Catherine and Katherine, the game’s two… I’m really not sure the best way to describe them. They play many roles in the game, which change depending on how you play it. They aren’t really the leading ladies and I’m even a little hesitant to call them secondary characters, because there are very few situations in which you can interact with them directly. Actually, I think the best description for the K/Catherines is “plot devices.”

The story of Catherine is a week in the life of Vincent Brooks, a man wavering under pressure to marry his longtime girlfriend (Katherine), who ends up spending a night with another woman (Catherine). The game follows Vincent for each of the seven days in this week, and possibly farther. I’ve only achieved one ending so far (of… three, maybe?), and it extended the story into nine days.

Over the course of this week+, Vincent goes through a lot, but the focus is on whether he longs more for the stability of a life of order, or the excitement of freedom. In the game, you are asked to make many decisions. The bulk of them are how you make Vincent react to the problems of the people around him, and only influence what ends up happening to those characters. There are a handful of questions asked to the player specifically though, which will shape how Vincent approaches his own problems. Every one of these choices, and even some other actions (like replying to text messages) affect a small meter that pops up and lets you know which way you’re headed. The NPC choices will tip the meter a little, depending on the answer you choose, but mandatory story choices will sometimes knock that thing a good quarter of the length of the whole bar.

The difference between this meter and the morality meter in countless other games (Mass Effect, Fable, etc) is that it not, in fact, a measure of how good or bad Vincent is. Though you can easily get the wrong idea, due to the fact that one side is blue (and is topped with a cherub) and the other is red (and adorned with a tiny devil child). This meter actually represents whether Vincent values freedom or order more, which is pretty morally ambiguous. Maybe Vince wants to live a life of freedom, not falling to the pressures of society to settle down and live his life the way he’s told to. But this doesn’t necessarily make him evil. It’s not even the <i>wrong</i> way to live. On the other hand, what makes “order” so inherently good? If you think about it even a little, it could easily be spun either way.

Therein lies the more subtle duality of the game. I mean, it’s not actually subtle because the game’s gonna be beating you over the head with that meter, but the point is that Vincent has a choice to make, which will affect what kind of person he ends up being. The subtlety is that little events are influenced by the meter here and there, but none of it makes a huge difference until late in the game, when Vincent finally has to confront his demons, whatever they may end up being.

The gameplay itself shows another kind of duality, but not within the mechanics themselves, but rather the separation of game mechanics. The game takes place over the course of a week, and you get to take control of the more interesting points of every day within that week. Each day is split into two separate play types. During the game’s “daytime” phase, which usually takes place between 8PM to 1AM, you get to watch the majority of story events unfold, and then get to hang out at Vincent’s favourite bar, The Stray Sheep. Sheep are actually a secondary theme in the game, but that’s someone else’s article. In the bar, you saunter around, talking to the various patrons and staff. About half of them are dealing with their own mid-life crisis, and you can listen to their stories and encourage them to face their problems. The other people about are generally around for entertainment purposes, generally giving cryptic hints about events to come, or cracking wise about Vincent’s predicament.

Other bar-time activities include texting the K/Catherines, visiting the washroom, changing the music via a jukebox, having drink, and playing an arcade game. Once in a while, Catherine will send a seductive photo with a text message, and Vincent won’t look at it unless he’s in the privacy of the washroom. That about all it’s there for. Also, you can have him wash his face, which will trigger a short event that will likely make you jump the first time it happens. A new music track for the jukebox is unlocked with each achievement you earn, which is great because achievements are almost never accompanied by a tangible reward. And sitting down to have a drink will (obviously) increase Vincent’s alcohol meter, which will cause him to move faster at “nighttime.” Also, when you finish a drink, the game will show you a little trivia about whatever you just polished off. It’s an odd feature, but I found it compelling and proceeded to get Vince stone drunk every night so I could hear as many as possible.

The daytime segments are cool, and do a great job of moving the story forward and building the characters, but they’re more than a little slow. That’s where nighttime comes into play. The other big dilemma Vincent is facing is that every night he gets trapped in a nightmare where he must climb a tower of blocks or else be brutally murdered. Not a huge issue normally, but due to a mysterious string of young men found to have died in their sleep, it seems quite likely that if Vincent dies in the dream, he dies for real. This is where the game does a complete 180, ripping you out of the safety of the bar and literally forces you to think on your feet or die.

The nightmare sequences’ “Levels” are made up of between one and six themed floors of crumbling block towers. They’re more like block walls, really, but the point is the same: you need to manipulate the blocks in the tower/wall to make a way to the top. On easy mode there are only a handful of really tricky parts in the second half of the game, but even on normal, you’re looking at some rather clever puzzles as early as the second night. Those puzzles are only half the problem too, because the tower below you is crumbling away pretty quickly. Having to think about a puzzle might lose you the high score, but if you really can’t figure it out, you’re dead. And of course, classic video game staples like bad guys and trap blocks are there to make life that much harder for you. Unlike the relaxed atmosphere of the bar, you really get a sense that in the nightmares, the game wants you to die.

Other notes here are that you’re scored on your speed and how many coins you pick up, and are given a trophy at the end of each night. They’re mostly irrelevant, but unlock new stages in an extra game mode if you earn them on normal or hard difficulty. The last floor of each stage is also a boss “fight,” where instead of racing against falling blocks, there’s a giant monster clawing at you heels. Occasionally they will change the properties of random blocks or shoot lighting bolts or razor blades at you. These floors are usually the most frantic, and far and away the most fun in the game.

Generally, Catherine (the game, not the character) is more than happy to keep the bar and nightmare sequences completely segregated. Though as always, there are exceptions. I’d mentioned that there is an arcade game in the bar, should you feel like whiling away your time on a game within a game. The really fun part is that Rapunzel is a tiny reproduction of the main game’s nightmare stage gameplay. Instead of the walls being hundreds of blocks high, they’re only maybe a dozen. At least, for the first few stages. There is no time limit in Rapunzel, but you do only get a certain amount of moves per stage, putting the focus on solving puzzles. These puzzles are much more devious than those in the main game too, as I’ve only managed to get to stage eight out of 64 (Maybe. There’s an achievement for beating stage 64, anyway. I assume it’s the end). It gets even deeper when Vincent receives a taunting text message that says that Rapunzel also has multiple endings. When has that ever happened before in the history of video games?

The nightmare stages also give you a change for a little reprieve in between floors. There, you’re treated to a nice little sanctuary, where every other man suffering from the nightmare stands waiting to challenge the next floor. These men all look like sheep in the dream world (which ends up being tied into the story), and some of them will have defining traits like ties or hair. These ones are people you can interact with in the bar, and will open up to you even more here, since to them, you’re the one who looks like an anonymous sheep. You can continue to encourage them to keep climbing here, and some will even share climbing techniques with you. Until late in the game there’s a merchant sheep here too, who will sell you items that can give you a small edge. But buying items costs points, and is therefore a bad idea if you want to earn gold trophies. Besides, items can be found while climbing the towers themselves, and the game (on easy mode at least) is pretty good about doling out items when they’ll be most useful.

The way Catherine draws its parallels is a fairly unique one in that it shows you two options, but then proceeds to blur the distinction between the two. Katherine and Catherine, freedom and order, the bar and the nightmare. While it goes out of its way to make it seem like there’s a proper and improper way to go about playing the game, that’s just to mislead you; it’s really all gray area. Just because you want Vince to hook up with Catherine doesn’t mean you need to be a complete ass to Katherine. But you can. Don’t like the puzzle stages and want to get back to the story? Choose easy mode and look up speed run videos on YouTube. Don’t like the slower bar sequences? Skip them. Or just play Rapunzel. The game is about growing up and taking responsibility. Or maybe it’s not, because the game is really about choices. (Actually, maybe it really is because I’ve only played through as a solid seeker of order.) The point is that Catherine wants to show you that there’s always a choice. It wants you to know that for every choice you make, there’s another you didn’t. For every yin there’s a yang. For every Katherine, there’s a Catherine.

I’ll be a rock star

I wrote 2000+ words about Catherine yesterday. I’ll post it tomorrow. You’re probably getting sick of hearing about it by now, so let’s talk about something else today, shall we?

I’ve been listening to Lady Gaga’s (is the second G capitalized?) Born This Way for a couple days now, and I’ve gotta say that I’m not sure how I feel about it. No, actually that’s a lie. In most cases, I’m sure I’d enjoy it much more if the vocal track were muted. It’s not that I have a problem with her voice or anything, but a lot of the vocals are filler that I find extremely annoying.

A lot of it has to do with that fact that it’s so damned repetitive. Seriously, and I say this to all songwriters out there, a chorus is not repeating the title of the song over and over. That doesn’t pass for the second half of the song either. I’m pretty sure the last two minutes of “The Edge of Glory” is just her saying “the edge the edge the edge” over and over until the song cuts out. This is bad writing any way you split it. You don’t see Stephen King describing the same tree over and over for five chapters. Maybe writing a short story/novel and a song are a little different, but the principle is the same: if it’s such obvious filler, you should probably cut it out. There’s nothing wrong with having an instrumental section in your song. I feel it actually adds to a song.

Another thing I need to vent about is the stuttering and nonsense words. I like “Judas” well enough, but the jibber-jabber that permeates the beginning and half the chorus annoys the crap out of me. You did this with “Bad Romance” already, and it hasn’t gotten any less annoying since then. Again, why all this filler? If you can’t write words to put there, just let your music carry itself. It’s good! Like I said, without lyrics I’d think this is a fantastic techno-pop album. All I see here is that either Gaga has no faith in the quality of the actual music, or she just can’t get enough of her own voice. Lazily slapping in all these nonsense vocals and needless repetition makes it seem like children’s music. If it weren’t so full of hookers and “blonde souths,” this would be a great album for the “under 3” demographic.

Speaking of which, Ms. Gaga seems to be writing explicit lyrics simply for shock value. “Government Hooker” is the best example for this. The song is barely about a hooker to begin with, with absolutely nothing in the song to justify the “government” part. Okay, she says “John F. Kennedy” once, but that would make the song “zombie hooker” or at worst, “corpse hooker.” And let’s be honest here, at that point it could just be rebranded to necrophiliac. Because dead people don’t pay for sex. And again, I think the word “hooker” counts for at least 80% of the total lyrics. Yeesh.

All little quibbles aside, I do still enjoy listening to Born This Way if I don’t stop to think about it. “Hair” and “Highway Unicorn” are my favourite tracks so far. Though “You and I” gets the runner-up prize. I can’t stand straight-up country music, but oddly enough I really like when other genres are influenced by country. Also: Brian May plays guitar on it. That makes it instantly awesome.

Oh yeah, and the cover is totally bad-ass. Even a little scary.

Each must know his part

It’s over. I completed Catherine, and I got the “true lover” ending. The last stage was looooong though. Six floors! Crazy! I kind of wonder if the game is shorter if you go for other endings though, because the last two stages were brought on as direct consequences to the decisions I’d made during the course of the game. I kinda wouldn’t mind if it ended at Stage 7 if you’re headed toward the opposite ending (my current goal).

Also, this game makes use of the word “radii.” I think that’s just swell.

Completing the game seems to have unlocked a two-player mode. It’s local mulitplayer too, which is fantastic. Too many Xbox games force you to play multiplayer online, and therefore I cannot enjoy some games with others, like Crackdown, Castlevania: Harmony of Despair. It’s especially egregious in Castlevania HD, in which there really is no reason not to have local multiplayer. But I’ll leave that rant for another day.

In Catherine, on the other hand, I don’t see cooperative multiplayer working really well. Sure, most of the time it should be okay, but even in single-player there were more than a handful of instances where I fell from a height and couldn’t get back up because in creating a path to go up I had managed to destroy or otherwise block the path below me (follow?). So you’d have to not only work your way to the top, but make sure that the path persists for your buddy. That or one person sticks right behind the other, which would be missing the point completely. Or make separate paths. Where’s the teamwork in that though?

In one stage of the main game, you have an NPC that has to get to the top with you, and it took me many, many tries to finish it. Sometimes it was because -like I said before- I accidentally removed the path below me in continuing my ascent, and the slower AI player got stuck below. Other times it was because the AI is completely retarded and would not climb around to the other side of a block. Its pathfinding isn’t even that bad, it just refuses to shimmy around a block to get to a place where it can ascend. Fortunately the stage was only medium-length and a single floor, but it’s still the main reason why I’m not convinced that cooperative multiplayer is a good idea.

There’s also a competitive mode, which makes a lot more sense. Haven’t tried it yet, but it looks like a race where the players climb parallel towers. It seems like fun, and if you can cross over to your opponent’s tower and mess them up, all the better. I just wonder if it emphasizes speed over puzzles.

Looking back, I could/should probably have waited and complied all my thoughts on Catherine into an article. Maybe I still will. There’s plenty more I can add in there. It just feels like a missed opportunity.