I know just as well as anyone that I’ve been doing an absolutely atrocious job of keeping a blog as of late. I ‘ve been slacking of on my comicing duties pretty badly too, and does anyone remember when the last time I wrote an article was? Sad to say, but I don’t really see that changing anytime soon. I’d like to be able to just blame all the crazy hours I’ve been working lately, but I think we all know that it’s because I’ve been spending most of my free time on something a wee bit more important than websites that nobody reads.
So, whether my blog is shitty or not, I just popped in to say that I picked up Guitar Hero DS yeterday, and am still on the fence about whether I’m impressed with the job they did. The game itself is just fine, it’s got pretty much all the Guitar Hero frills, just watered down a little so that it could all fit on the tiny DS card. And speaking of fitting, there are 25 songs in the game, and the sound quality is as good as I’ve heard on the DS, as long as you’re pumping it through external speakers or headphones; Mr T. pities the foo who settles for the DS speakers. The setlist itself is way under par for a Guitar Hero game, including a bunch of songs that really have no business there (Maroon 5? WTF?), but I suppose we can chalk the somewhat more varied musical range to that fact that the DS has that huge “casual” following, and most of the old people I know don’t particularly enjoy metal and punk. I’ll be happy though, as it does feature “Spiderwebs” by No Doubt, and as I’ve told pretty much everyone I know, I love Tragic Kingdom and almost every song from it. Also, “Jessie’s Girl”! How can you not love that song?
The issue that I have with it is with the insane little guitar grip peripheral that is used to play the game. Oh, it works fine, and I eventually found my most comfortable way to hold it, but the problem is that it’s too small. Actually that’s a poor choice of words. What I meant to say is that the buttons are way too close together. Normally it’s passable, but once you get onto the expert level and try to mash your way through some of the harder solos, you’re just fucked because your fingers will be mashing each other and everything just goes to Hell. Even small hammer-on/pull-off sequences can be tricky. If they had just added about a quarter of an inch between each button, things would be so much better, and the contraption wouldn’t even be that much bigger. So yeah, other than the fact that I’ll never be good at soloing on it, I’ll give Guitar Hero DS a passing grade. I just hope that they whip up an improved grip for the inevitable sequel.

Sex and the City : The most recent movie outing was obviously entirely by her choice. I’ve only ever watched the show because we were watching TV one night and she decided that that’s what we’d be watching. Anyway, I cannot say I detested the movie. It was not something I enjoyed either, being two and a half hours of clothes and girl talk, but there were just enough legitimately funny moments that I wasn’t overly compelled to kill myself just to make it end. I shouldn’t have to tell guys to stay away from this one, but not falling asleep and pretending it wasn’t so bad will make your woman happy.


Paramore is another one of those chick-fronted bands that my friends would poke me about and ask why exactly they’re on my iPod, much like Damone before them. Only, Paramore, while perfectly rock-tastic, is not quite as loud as Damone. Otherwise, the bands are pretty similar. The only difference is that Paramore has currently gotten more exposure through video games, being featured in NHL ’09 and having DLC for Rock Band. I’d actually heard “Misery Business” a couple times because my brothers play the former game to no end, but never really though twice about it. But then “Crushcrushcrush” showed up as a downloadable track on the XBL Marketplace, and after playing the song, I immediately went searching for more. (On a side note, apparently they have a song on the soundtrack to the console versions of The Sims 2 as well. I guess someone at EA really likes them.)
This, my friends and colleagues, is a best-of CD of my second-most favouritest game music composer ever, Yoko Shimomura, entitled 