Lara Croft < Bears

I plugged away at Tomb Raider for a couple hours this weekend because it’s been sitting on my PSP’s memstick for ages now and I’ve barely touched it. I’m not entirely sure, but I have this gut feeling that I hate Tomb Raider.

It’s not really Tomb Raider that I hate though. The concept is fine. Indeed, I actually quite liked Tomb Raider: Legend (though not enough to complete it), but I cannot fathom how people enjoyed the older games. Moving Lara around is just such a hassle. Even back in 1996 I don’t understand how people found the awful, awful control scheme acceptable. I mean, people knowingly played this game instead of… well, anything else? I imagine that playing Tomb Raider is roughly as painful and annoying as jamming a fork into my thigh repeatedly.

Anyhow, after roughly five hours of gameplay I’ve only just completed the Lost Valley, which goes to show how much trouble I’m having here. There was a bear at one point that mauled me to death nearly a dozen times before I was able to get past him. The little dinosaurs didn’t give me too much trouble, and the T-rex didn’t even hit me, but I stopped counting how many times Lara crumpled to the ground dead because of a misstep or when she decided to walk off a cliff despite the fact that I did indeed press the jump button.

I don’t know if I’m going to be able to stick this one out, guys. I can’t imagine that the game is very long, but it’s just so bad. And not Power Glove bad. I feel like I should pack it in and go back to Final Fantasy XIII-2, which is a game that wants me to win. I like those games.

(This post is terrible because I’m overtired and pissed off at Tomb Raider.)

The return of X, again

It hasn’t been a thing lately, but if you’ve combed through much of my site’s backlog, one of the most prominent themes is me being a huge MegaMan fanboy. In recent years, the love has waned a bit, mostly due to Capcom not really doing anything interesting with the franchise. MegaMan 9 and MegaMan 10 were fantastic throwbacks to the golden age of gaming, but that’s really about it. The MegaMan Star Force were just gussied-up versions of the dried-up Battle Network series, and the cancellation of MegaMan Legends 3 was a huge blow to the small but loyal contingent of fans of that particular series. MegaMan Universe just never interested me.

So I guess really the best thing that Capcom could do was port one of the best MegaMan games to iOS. MegaMan X was a landmark game that hewed closely to the tried-and-true MegaMan formula, but pushed it to the limit, making the game faster and more exciting. All these years later, it’s still one of my favourite games ever, and by far my most-played SNES title. Why wouldn’t I want to play it on my phone?

Oh, right, because Capcom released a near-perfect remake of it on PSP some years back. MegaMan: Maverick Hunter X was the reason I bought a PSP, and it’s easily the definitive version of the game. MegaMan X’s iOS port is mostly faithful to the SNES original, but you’ll notice that the graphics have been all smoothed out to help make it look a little more contemporary. They certainly look nice, and the sleeker presentation is in no way a knock against the game, but to me, X looks a little weird when not presented in chunky SNES pixels.

A handful of the other major changes are definitely for the worse. The most blatant one being that you’re playing a SNES game with a touch screen. We all know how much I hated Secret of Mana‘s iOS port for that. And Tony Hawk’s Pro Skater 2. My opinion is the same as it was when I wrote those posts: touch screen controls are not a good idea for games designed for buttons. MegaMan X makes a little concession to that end by giving you an easy mode, but if you don’t know every pixel of this game like I do, the rough controls will probably cause you more than a few pains.

One of the really cool things about MegaMan X -and it’s something that didn’t even carry into the sequels- is that by defeating certain stages, you’d trigger environmental changes in other stages. The most prominent being that the lava in Flame Mammoth’s stage turns to stone if you’ve beaten Chill Penguin. Most of the other effects are less obvious and less functional. But that doesn’t matter, because they don’t happen here. Flame Mammoth’s stage? Lava’s always burnin’. Spark Mandrill’s stage? The airship never crashes. So on and so forth.

The one upside here is that since the heart tank in Flame Mammoth’s level used to be on the lava and only accessible after freezing the place (by defeating Chill Penguin), it’s now placed on the floor directly above where it used to sit. It takes absolutely no effort to gain it now, but it does cut back on the amount of backtracking you need to do to 100% the game (you need the Fire Wave to get the heart tank in Chill Penguin’s level, meaning you’d have to replay one of the stages).

Another concession to level design was made to the iOS version of the game. Sort of. Before, stages were single, smooth scrolling maps. Not they’ve been chopped into bits, with stark transitions between screens. The transitions don’t really bring down the value of the game, but they’re a little jarring to me since I’ve probably spent more time in these levels than in my own backyard.

Lastly, while this version of MegaMan X sports some slightly updated graphics, the music is ripped directly from the SNES version. This is awesome, because MegaMan X has a terrific soundtrack. The remixes found in the PSP remake are also available. The catch is that you have to buy them. With real money, like. It’s not really a big deal because the original tracks are better, but I couldn’t help dropping the two bucks to have the remixes available. You can buy all the weapons, armor parts and heart/sub tanks too, if you’re retarded and can’t find them for yourself. That’s kind of a waste of money though.

It does get better though! One of the things that really stuck out to me was that most of the dialogue has been rewritten, and it’s not too bad! I didn’t play Maverick Hunter X enough to know if it’s the same dialogue as from that version, but it’s sure different from the SNES original. Some of the best corny lines (see the screenshot above) have been retained though, which is just gravy. The “hadoken” scene is rewritten almost entirely, and it is magnificent (see screenshot below). The odd thing is that the dialogue font is tiny and a full paragraph barely fills up half of the text box. Not really a problem, but it stands out as kind of an odd design decision.

Speaking of odd design decisions, there are no extra lives in this particular port. At first I thought I had just remembered the extra life locations incorrectly, but I know for a fact that there is one not far above where you find the helmet parts in Storm Eagle’s stage. It’s not there. Instead, you just get two lives every time you begin a stage. Not that you should really need more than two lives to beat any single stage in MegaMan X, but it’s just another weird little change.

Also included are Game Center achievements. Being an admitted achievement whore, this makes me very happy. The highway stage even has its own set of achievements (which oddly do not count in Game Canter) that unlock pieces of a puzzle as you earn them. Most of the GC cheevos are stupidly easy to get (Defeat Chill Penguin, Defeat Chill Penguin with his weakness, Defeat Storm Eagle, etc.), but a couple are genuine achievements. Beating all the robot masters without taking a hit would be pretty breezy on the SNES, but with touch controls? Super hard.

Capcom saw fit to make a handful of other additions to the game. The aforementioned easy mode is counterbalanced by an unlockable hard mode, or so I think. It’s still a grey [locked] square, and I assume it will come in an update. Hopefully not in exchange for moneys. There is a new ranking mode that contains time and score attack modes, and a survival mode (which may or may not be a boss rush) which are mostly there as an excuse to have Game Center leaderboards. The score attack and survival games are also [locked], and I’m not sure if they’re going to be in an update or if I just need to clear all the time attack stages to unlock them. I really don’t care enough to actually play time attack. The regular game is fine with me, thanks.

So what’s the final verdict on the iOS port of MegaMan X? It’s your quintessential 16-bit iOS port. It’s got a few improvements, a few odd changes and extra features, and kinda broken touch controls. But it’s nice to have a version of MegaMan X that I will quite literally be able to play whenever I want. The PSP remake might be a more solid effort and more playable, but most of the time I play my PSP at home, whereas my iPhone is always with me. $5 is a pretty steep price for a questionable SNES port, and the fact that it’s a quick and dirty port that pushes microtransactions may sour a few on it, but I’m happy to have MegaMan X in my pocket.

24 sentences of materialism

Alright kiddies! I totally forgot to do a “24 Days of Materialism” feature this year, and the best thing I could come up to sort of replace it is this: The 24 Sentences of Materialism. It’s basically the same concept, I choose 24 things I like and tell you to buy them, only this time I’m ripping off the long-dead Video Game Article‘s “One Sentence Reviews” feature. So here’s a list of video games, albums, books, and TV shows that I love and think you should buy for yourself or your loved ones (and also a link to a related webpage for each). Honestly, I think this is the hardest thing I’ve ever written. It’s terribly difficult to express everything I want to say about a product in only one sentence.

1. The Legend of Zelda: Skyward Sword – Take one part Ocarina of Time, one part Wind Waker, mix well, and then tweak everything just slightly: provides a surprisingly fresh Zelda experience!

2. Monster Hunter Freedom Unite – Why not help persuade Capcom to bring MH Portable 3rd or MH3G by picking up what is easily the best game in the series to date (that is available outside of Japan).

3. Groove Coaster – A rhythm game that’s incredibly simple, but will still suck you in with its trippy visuals and eclectic track selection.

4. Volchaos – A rather superb Xbox Indie game that brings back the glory days of video games: short, challenging levels, and a great sense of satisfaction when you get them right.

5. Fallout 3 – I don’t know why I don’t spend more time with this game; it’s so unlike anything else I play and all the more wonderful for it.

6. Super Mario 3D Land – The game that justifies the 3Ds’ existence.

7. Super Mario World 2: Yoshi’s Island – Getting this game (and The Legend of Zelda: The Minish Cap) for free because I paid too much for my 3DS makes it totally worth it.

8. Anima: Ark of Sinners – It’s not really very good, but you can see potential shining through the blandness and kludgy controls.

9. Tron Legacy Soundtrack – Oddly enough, this is probably my favourite music to listen to while playing Minecraft.

10. Tom Petty & The Heartbreakers – The Live Anthology – Just slightly less than four hours of pure delight.

11. Bound Together – Who could ask for more than an Earthbound tribute remix album?

12. Back in Blue – I love OC Remix but don’t generally love their albums, but this Mega Man 9 tribute is awesome all the way through.

13. Private Line – 21st Century Pirates – There must be something in the water in Finland, because they’re so good at hard rock/metal.

14. How to Survive a Garden Gnome Attack – This one really should be mandatory reading for every human being.

15. The Forever War – Best novel I’ve read in… forever?

16. 5 Very Good Reasons to Punch a Dolphin in the Mouth – This comic collection goes beyond hilarity and does its best to teach you some very important lessons.

17. GameSpite Journal 10: The SNES Turns 20 – What kind of gamer wouldn’t want to read a book all about SNES games?

18. Teenage Mutant Ninja Turtles: The Ultimate Collection Vol. 1 – A huge, beautiful history lesson.

19. Futurama Season 6 – The first few episodes are kinda weak, but the quality shoots up after that and has me very excited to get BD set of the second half.

20. Community Season 2 – Abed’s Uncontrollable Christmas.

21. Criminal Minds: Suspect Behaviour – It’s like Criminal Minds if Criminal Minds sunk all the budget into the script and had first-year college students do the rest.

22. Teenage Mutant Ninja Turtles (80’s) – Campy, cheesy, corny; whatever you want to call it, it’s all goofy nostalgia.

23. Fullmetal Alchemist: Brotherhood – I liked the original series, and this one is better in every conceivable way.

24. Fringe Season 3 – Somehow this show has gotten to a point where I feel it might be better than LOST.

Attack of the Supper Squid

Ah, this November just gets better every day. Matthew Good was great of course, but I have even cooler news.

Remember how last year the kids at Talking Time made their own game with the Super Mario Bros X level editor? And how I was super excited about it? And how I contributed three levels of varying quality? Super Talking Time Bros. 2: SUPER SQUAD is now in production, and should be ready to roll early next year. I have of course submitted a stage, and the flame of my passion for creating Mario levels has been reignited.

The first stage I submitted is this one, and I quite like it. Zaidyer’s a fan too, which is good because he’s the project lead. It’s sort of ripped from my personal project, but totally redone. Because it sucked before. Now I’m pretty proud of it. It’s certainly more exciting than anything else I’ve made.

I submitted this one too, which I’m less proud of. I can’t exactly point out why I don’t like it much though. It was already made, I just changed the goal area to meet TTB2 requirements. Really I think I just submitted it because I wanted to have more than one level in the game. I think I’ll hit the drawing board again this weekend and put something better together.

My point here is that if you have a computer and even a mild sense of what would make a fun Mario level, participate! Even if your thing is a sucky bag of sucky suck, we have a peer review process that will help to make you a better level designer! It’s what kept the first game from being just another mess like RMN Bros. The original Super Talking Time Bros. sturned out great, and to be completely honest, I’m a little more excited about TTB2 than Super Mario 3D Land. Crazy, I know. But if you’re a Mario fan, you owe it to yourself to check these out.

Wishlist

So I’ve played a lot of video games over the course of my life up until now. Only now, real life gets in the way a lot and I spend a lot more time longing for video games than actually playing them. It’s a sad state of affairs, but it’s the way she goes. I’ve decided that for fun, I’m going to make a small list of game accomplishments I’d like to make in the next year. Keeping in mind of course, that this is the abriged version. I could go on for days about games I want to play.

Another note of minor importance is that these aren’t in any specific order. I’m just noting them as they come to me. Putting them in order would likely be impossible. Oh, and none of these are games that I’m actively playing. Most have been set aside in favour of other games, and a handful I haven’t even started playing.

  • Final Fantasy XIII : Defeat Vercingetorix
  • Final Fantasy XII : Complete the story / acquire all Espers
  • Final Fantasy VI DS : Complete the story
  • Dissidia: Final Fantasy : Earn “All characters at Lv50” accomplishment
  • Dissidia 012 : Start playing
  • Tactics Ogre: Let Us Cling Together : Complete the story
  • Monster Hunter Freedom Unite : Complete offline quests
  • Monster Hunter Tri : Play it sometimes
  • Monster Hunter: Dynamic Hunting : Get all cheevos
  • Secret of Mana (iOS) : Complete the game
  • MadWorld : Complete the game
  • Little King’s Story : Complete the game
  • Epic Mickey : Complete the game
  • Earthbound : Play again
  • Super Mario Galaxy 2 : Find all green stars (June 11/12)
  • Pokémon White : Complete Unova Pokédex (Oct 6/12)
  • LEGO Rock Band : All single-player cheevos
  • Catherine : Complete the game on Normal difficulty
  • Guitar Hero Van Halen : Complete tour mode (May 23/12)
  • The Legend of Zelda: Ocarina of Time 3D : Complete Master Quest
  • The Legend of Zelda: The Wind Waker : Play again
  • Deadly Premonition : Start playing
  • Batman: Arkham Asylum : Start playing (Jan 2/12)
  • Fallout 3 : Complete the story (Jan 15/12)
  • Picross 3D : Complete all puzzles (May 14/12)
  • MegaMan Legends : play again (June 7/12)
  • Borderlands : Complete all story missions, all reasonable secondary missions
  • Luigi’s Mansion : Play again (Aug 29/12)
  • Pikmin 2 : Story mode full clear
  • Pikmin : Play again
  • New Super Mario Bros. Wii : Complete World 9

So yeah. Ain’t nobody can say I’m not a goal-oriented person. The relevance of my goals is questionable, but I have them. Game developers really should stop making new ones so I can catch up though. Maybe just put a freeze on new games for 2012? Not that it really matters. Once Super Mario 3D Land, The Legend of Zelda: Skyward Sword, and Mario Kart 7 arrive, it’s all over anyway.

Everybody’s got their dues in life to pay

So Catherine never ends, apparently. I mean, twice now I assumed it was over, but got faked out at the last minute. I would like to say that I’ll be wrapping it up tonight, but it might just be another pretend ending. A pretending?

Not that I’m complaining, mind you. The last few levels have been some of the most fun in the game, hitting that sweet spot between too easy and too hard. I might even say “just right,” to appropriate the adjective of a certain someone.

The story went in a totally unexpected direction though. Given that the game is a sort of spiritual cousin to the Shin Megami Tensei series, I suppose I should have seen the eleventh-hour twist coming. The game also goes the extra mile to call itself a “romantic horror,” and video games have some pretty strict rules about requirements for a game to be considered “horror.” I just thought Catherine would be different. Oh well. It’s still a great game, it just has an unfortunately silly twist.

Also, I’ve been spending little bits of time here and there with MegaMan 9, because I’ve never finished it and that’s not a game I can live with having on my pile of shame. It’s a really tough game, and while I have made progress (was previously stuck on Wily 1, now stuck on Wily 3) I feel like I’m not really learning the game, but coasting through on blind luck. I’ve been experimenting with using special weapons outside of boss fights, and it’s definitely helped my game, so I’m thinking I’ve been doing it wrong up to this point. Normally in MegaMan games I just roll through with the buster and use weapons to polish off bosses quickly. MM9 was a very rude awakening.

Is it so wrong to want a handheld version though? I’mma have to go see what that PSN thing thinks about that…

Another year is gone so fast

I’ve been to the dentist three times in the last month or so, and I’ve come to the conclusion that they use dental floss made of tiny razor blades there. I’ve gotten into the habit of flossing (almost) every night, and yeah it hurt a bit at first, but now I feel no pain when I floss. My gums don’t even bleed anymore. I’m used to it. But at the dentist’s office? Hurts like a bitch.

In other news, the iPhone’s camera takes way too long to initialize. I was downloading the Virtual Console version of Final Fantasy III yesterday, and the most amazing thing happened. I tried to take a video of it, but by the time my phone’s camera started up it was over.

So normally when you download something from the Wii Shop, Mario will run laps across the screen collecting coins. Sometimes he will be Firey Mario and you can press A to shoot fireballs. Occasionally Luigi will run across instead. But yesterday, Mario and Luigi swam across the screen. In the five years I’ve owned the console, I have never seen this happen, and I’ve sunk way more money than I’d like to admit into Virtual Console and WiiWare downloads. Even my youngest brother hasn’t ever seen this, and he’s probably used the shop as much as -if not more than- me.

So yeah, I wanted at least a picture of it, but the stupid iPhone is stupid and can’t take spontaneous pictures.

Earthbound

Do you like Earthbound? If you answered no, it’s because you haven’t played it.

It seems that the big thing about Earthbound is that everybody loves it for different reasons, and more often than not, they’re all little personal things. I’ve read a host of Earthbound-related stuff this week, and I recommend checking out at least Talking Tyrant Loki‘s take on it. It’s the shortest of the three links I’m posting here, and probably the easiest to swallow. Another one from a website I’ve never read before called Critical Distance gives you a sort of play-by-play of a handful of other people’s EB-related musings. The last, an absolutely mammoth review by Tim Rogers really digs into the game. It’s a long read, and it’s incredibly deep. If you don’t want to experience Earthbound after reading this, nothing will sway you.

Me, I think the thing that draws me most to Earthbound is the music. Ever since the first time I played it, the Onett theme has stuck with me. I whistle it pretty consistently, and usually when I go for a walk on a quiet day (sans iPod) I find the Twoson theme playing in my head.

More than anything, the little scene you get when waking up in a hotel and the accompanying melody are permanently ingrained on my soul. Most people miss it because you wake up and leave the room to get back to the quest, but there’s a piece of music that plays after the “good morning” melody that I’m sure is exclusive to the room after waking. Once you leave the room, it switches back to regular ol’ hotel music. I think. It’s been almost a year since I played the game, so the details are a little fuzzy.

The point is, that that one tiny moment -those ten second between when the screen fades after talking to the hotel clerk and leaving your room- makes me feel an overwhelming sense of serenity. In other RPGs, waking up after a hotel stay produces a chime and then it’s back to business. Earthbound perfectly captures that one feeling that we all get occasionally in the morning, when you wake up and everything feels absolutely perfect for a few fleeting seconds.

The little melody. The music that comes afterwards. The chirping of the birds in the background. This minor instance that is a throwaway moment in any other game has had a deeper and more lasting impact on me than any other element of any game that I can think of. You may read this, having never played the game, and think I’m nuts. Maybe you have played it, but didn’t get the same sensation. But this affected me. I can’t even describe how it works in my head. Anytime I stay at a hotel in real life, this scene invariably invades my mind.

There’s a scene in the game where you stay in a haunted hotel, and the whole process is similar, but twisted. That was when I truly realized that things were really amiss, despite the fact that the town was overrun with zombies and smelly trash can ghosts. It was emotionally distressing, to say the least.

All that, and I haven’t even gotten around to the Sound Stone Melody (called “Smiles and Tears,” apparently). This is the first song that I can remember which evoked a strong emotional response in me, and remains one of two songs and the only instrumental piece that has ever brought tears to my eyes on the merits of the music alone, the other being Queen’s “Save Me.” But while the latter brought about its response through a genuine expression of despair and loneliness, the Sound Stone Melody has a more ineffable quality to it. I don’t know how it manages to grip my consciousness so tightly, but it does. It’s one of my favourite pieces of music, and it really is beautiful.

The main quest of Earthbound is to assemble the pieces of this melody. Yes, it’s to help defeat an evil alien, but that’s besides the point. You travel the world, to these sacred places that really aren’t so extraordinary on their own. At each one, you acquire the next few bars of the tune. Once you’ve assembled them all and listen to the entire piece, you cannot help but be overcome by a wave of nostalgia, remembering all of these places, and everything you experienced on the way there. Maybe it was just a silly quest in a silly video game, but now it’s a part of you too, and that melody will bring all those feelings and memories back every time you listen to it. I used to sit on the Sound Stone screen and listen to the melody -even when incomplete- over and over, because it brought with it the absolute strangest feeling I’d ever experienced. It was like the greatest happiness and the deepest sorrow wrapped into one short, simple melody.

So yeah, Earthbound is pretty deep. I recommend playing immersing yourself in it as soon as possible. And don’t just get to the end. Walk around. Explore the world. Let it and all of its little details wash into you. Though given that everyone who writes about Earthbound in this way played it in their developmental years and is now waxing nostalgic about it, I’m not sure if an adult could properly appreciate the game. All I can say for sure is that I played plenty of video games in my youth, and none of them evoke that same warm feeling in my chest that Earthbound does.