DOOK-DOOK-DOOK

I have spent nearly six months with the video file of The Babadook on my computer, and yet I have not watched it. I wanted to watch it, but after doing a Google search and being terrified for weeks upon weeks by the images it produced, I could not bear to watch the movie.

But last weekend, I finally did it. I was actually settling in to watch a different movie, but then I was like “you know what, I’m gonna do it. I’m gonna watch The Babadook.”

Turns out, it wasn’t nearly as scary as I thought, and I would up absolutely loving it.

In fact, I liked it so much that I’ve been strongly considering watching it again. Maybe a third time. Maybe it’ll become my favourite movie.

Now, don’t get me wrong. The Babadook is still pretty terrifying. Just not in the way that I’d imagined. It’s more of a self-reflective, thoughtful kind of horror. Which may not make a lot of sense if you haven’t seen the film. I can’t even relate it to anything because it’s like nothing I’ve ever seen before. I got the same feeling of dread from it as I did from It Follows, but really the only other thing the two films have in common is that they’re great.

I really don’t want to say much else about it, because it’s definitely worth watching. Just thinking about it makes me wish I could be watching it again right now. Maybe I will…

mister-babadook

I Am the Bored Thing That Watched This Movie

I’ve watched a lot of Netflix Original shows, and most of them have been very good. Some not-so-great, but for the most part, it’s been above average. I watched my very first Netflix Original movie last week. It was… hmmm, what’s the best way to describe it… awful.

pthingI Am the Pretty Thing That Lives in the House sounds an awful lot like the kind of movie that I would like from its description. Have a gander:

A nervous nurse who scares easily finds herself caring for an ailing horror novelist while living in a house with hidden secrets.

Sure, it’s a bit generic, but they wouldn’t want to spoil anything, right? Well, the thing is that there’s not a whole lot to spoil. The entire plot is about a girl who is afraid of ghost stories reading a ghost story, and then learning that it’s actually true and the ghost lives in the house she’s currently occupying. Maybe I’m being a little reductive with that summary, but that’s the gist of it.

The hugest thing I disliked about the film is that it is nearly 90% voice-over narration. Though I guess it can’t be helped when your movie has a grand total of three characters, and one has dementia and another is on screen for about four minutes total. But yeah, too much narration drives me bonkers. It’s just so boring to watch something while a disembodied voice tells you what you’re watching.

Anyway, the story is a very slow burn, and there is basically zero payoff. The climax comes out of nowhere and is over so quickly that you’re just like “wait, this is what I’ve been waiting for?” and then you have to sit through another seven minutes of epilogue in sheer frustration.

Do you want to know what happens? The girl hears a mysterious knocking inside the house, goes downstairs to investigate, and then dies of fright upon seeing -that’s right, just seeing– a ghost. A ghost that, by all intents and purposes, she should know is in the house. It is literally spelled out for her over the course of the film. I mean, don’t get me wrong, I’m terrified of ghosts, but I can’t imagine that I would keel over if I were to simply catch a glimpse of one. I’d be pretty amazed, actually, because ghosts aren’t real.

Also in this scene is a very bad digital effect of the ghost marching across the kitchen. What makes it so terrible is that due to plot, her legs are on backwards, and this gives the illusion that she’s a marionette or something, gambolling along so unnaturally. This could be frightening, maybe, if they had done it right (though I can’t quite conceive of how that would be done). But the net result here is that it looks like something out of a children’s program, and completely dissolves any tension that maybe have existed, further reducing the effectiveness of that big, final “scare.”

Do I regret watching this movie? It’s hard to say. I do love watching terrible movies, but this one was mostly just boring. I can’t get excited about any of its terribleness. There was nothing so corny that made me giggle. It’s the kind of bad movie that How Did This Get Made? would pass on. So, yeah. Maybe I would like to have my 87 minutes back, but on the other hand, I now have this little gem in my pocket as a short conversation piece.

TE Movie Time: HAUSU

I don’t know if you’ve ever heard of the Japanese horror (“horror”) film Hausu (or House, if you demand Englishness), but I watched it over the weekend, and BOY OH BOY was it a thing that happened.

At first blush it seems as though this would be the kind of movie that bombed hard and then gained a cult following in the decades that followed. This is mostly the case, or at least that’s what I got from briefly skimming the Wikipedia article. But this film is actually part of the Criterion Collection! It’s considered to be fine art! Which is not the kind of thing one would suspect after having watched it!

That’s not to say that Hausu is without merit. It’s got a lot of insane scenes and I certainly appreciate that they were going for wacky. But as a whole, it mostly left me cold. Maybe it’s because we live in the year 2016 and I’ve become desensitized to goofiness, but I feel like they didn’t really push the envelope far enough. There remains plenty of room to be even more mind-boggling.

But hey, three paragraphs in and I’ve already written my conclusion! That will not do! Let’s turn this puppy around and start from the start. Which I’m going to tear through in a single paragraph, because the first half hour is a slog.

Continue reading TE Movie Time: HAUSU

Half-hearted-oween

Halloween may be my favourite holiday. Not to the extent that Dinosaur Dracula and The Sexy Armpit love it, but it’s definitely the annual occasion that plays to the most of my interests. You’ve got candy, you’ve got monsters, you’ve got pumpkins. All the best things that modern life has to offer. Also, it takes place in autumn, the best season of all.

And yet, I feel like in 2016, I’ve really pooped the bed in regards to celebrating Halloween properly. The fact that my house remains undecorated is more of a by-product of me not knowing if I’d still be living there come October 31st, but I could certainly be dabbling in other ways of showing my appreciation for the best season of all. That said, it’s time for a play-by-play of all the Halloweeny things I’ve done so far.

Foodstuffs

  • I’ve eaten more Oreos over the last six weeks than throughout the rest of the year, and while most of them were Pumpkin Spice flavoured, which is only mildly Halloweeny, there was a pack of actual Halloween Oreos in there. You know, the ones that are just plain Oreos, but with the amazing neon orange filling? Pretty great.
  • I bought a pack of Pillsbury ready-to-bake Pumpkin Spice cookies. While they were maybe not quite appropriate for the holiday, they were the amazing.
  • There are two packs of Pillsbury ready-to-bake sugar cookies in my fridge, and they are in the spirit of the season. One has pumpkins, and the other black cats. I intend to make them next weekend.
  • I bought a box of Coffin Crisp to keep at my desk at work, but that’s been it for Halloween-themed candy. It seems like interesting ‘Ween editions of established candy is getting harder an harder to find. At least here in stupid Canada, where fun junk food is illegal.
  • While at a craft show, I purchased a pack of skull-shaped cookies. They were frosted in an assortment of neon colours, and they were delicious. Not really $1-per cookie delicious, but as a one-time thing, not a bad buy.
  • There is a box of Spookylicious Pop-Tarts in my cupboard that I have yet to break into. I am under the impression that they are regular chocolate fudge Pop-Tarts, but with orange frosting and fun bat-shaped sprinkles.
  • My mom bought me a single box of Franken Berry, which I appreciated greatly. But during all of my travels, I haven’t been able to find another box, or any of the other monster cereals. What awful luck I have.

Media

  • I have played exactly one good horror-themed video game so far this season, and that is Five Nights at Freddy’s: Sister Location. And really, if you’re only going to play one scary game, it’s… decent enough. Like, I think it’s a great game, but there are many more substantial options.
  • I also played one terrible scary game, and it’s called Haunted Hotel. It was garbage.
  • There’s still time to pop in a couple quick horror games, though. I do intend to make a run at the first Silent Hill, as I can reliably finish it in a single sitting. Really, I should have put Paper Mario: Color Splash on the back-burner this month and focused on one of the many horror-themed Steam games I’ve not played.
  • The Shallows and Black Mirror: White Christmas are dramas that lie somewhere on the ‘frightening’ scale, but don’t really fit the spirit of Halloween. But I don’t think I’d feel quite right watching the latter as a Christmas movie either.
  • Emelie and The Invitation are a little closer to the right kind of spooky, as they don’t take place on a beach or during Christmastime, but they still aren’t overly Halloweeny. Definitely a disturbing pair of films, however.
  • I did watch Creepshow and Creepshow 2 back in late September, which are A+ as far as Halloween spirit goes, but honestly, I wasn’t crazy about them. A couple of the stories were really good, but others bored me to tears. I’d recommend looking up “Something to Tide You Over” and “Old Chief Wood’nhead” independently, rather than watching the entirety of both anthologies.
  • The VVitch was really great! So good that I wrote a number of words about it!
  • I really, really watch to watch The Babadook, but just the Google image results have been giving me nightmares for weeks. I don’t think I can hack it.
  • Other movies on the docket, that I probably won’t find time to watch: Hausu, Alien, Burying the Ex, Zombeavers, etc, etc…

Other?

  • I suppose it falls under media, but I choose to note that I’ve been following the Purple Stuff Podcast in this section because it’s a little empty otherwise. Anyway, Matt and Jay have put out a couple Halloween-themed episodes this year, but not nearly as many as they did in 2015. Maybe I’ll just have to listen to those old ones again.
  • My house is so sparsely decorated this year. It’s sad. There’s a weird aluminum pumpkin by the door, and a lights-and-sounds door knocker… on the wall downstairs. That’s it. By the time I knew I’d still be living in the house for Halloween, I had already given up on decorating.
  • I do have a candy corn-scented candle that has been out and lit. Unfortunately, it doesn’t have a very strong scent, so it’s more about mood lighting than anything else.
  • My search for better Halloween candles has come up empty-handed. Of course, I haven’t been looking especially hard, but you would think that this kind of thing would just be jumping off the shelves at you during this time of year.
  • I don’t have a costume or plan for Halloween night. I’ll probably spend it the same way I do every other Monday night: at my parents’ house, watching The Bachelorette Canada. Which, you know, is totally fine by me.
  • I haven’t even been to the Spirit store this year. I am the worst Halloween fan ever.

TE Movie Time: The Shallows

It’s October! Time for scary movies! Right? While it isn’t exactly the Halloweeniest movie out there, I decided to skip school last night to watch The Shallows. Totes worth it!

The film is about a young lady who goes surfing at a secluded beach somewhere in the depths of Mexico. Or, I suppose, on the fringe of Mexico. Whatever. It’s out of the way, and a secret to everybody who isn’t a local. If you know nothing else about this movie yet, I recommend that you stop reading here and go watch it. The less you know going in, the better.

If you aren’t interested in actually watching it, yeah, might as well keep reading.

Continue reading TE Movie Time: The Shallows

You Should VVatch The VVitch

I watched The Witch on Netflix the other night, which was not the first spooky movie that I’ve watched this fall, but easily the best so far.

Before we move on any farther, I’d like to note that the title is stylized as “The VVitch” in most promotional materials. As a result, I always pronounce it “The Va-Vitch” when I say it out loud, and find it hilarious every time. Honestly I decided to write this entire post just to share that tidbit.

An unusually good modern horror movie, The Witch is not scary, but it is horrifying. There is a scene near the beginning wherein a baby is stolen and… you know what? Let’s not spoil it. The point here is that the scene was gruesome (though mostly off-camera) and truly shocking and I couldn’t do anything but stare, unblinking and slack-jawed, for the five minutes or so that it was happening.

Once that is over, things even out for a while. The story takes place in, oh, I think probably the Days of Yore? It’s about a religious family that abandons their church because of the father’s pride, and attempts to run their own little secluded farm to get by. Things go horribly askew and the farm produces only garbage crops. The children are all getting into assorted kinds of trouble, and also there’s the baby-napping. These are not good times.

Our main character is the eldest daughter, Thomasin, who is a budding young lady and happened to be watching the baby when it was yoinked. This creates oodles of tension between her and her mother, and things just keep escalating as she gets blamed for more and more unfortunate events. Right up until the end where it all comes to a head (literally).

The other characters are as follows: The aforementioned parents, who are struggling to make it in the big city middle of nowhere. The tween brother that is constantly salivating over Thomasin’s rack. A set of super annoying twins who may or may not have made a pact with Satan. A black goat named Phillip. A rabbit that shows up mysteriously here and there. With this hodgepodge cast, obviously things are going to go amiss.

I don’t really want to say much more about The Witch, because you should definitely go and watch it yourself. It’s a coming-of-age story that really doesn’t have very much in common at all with any other coming-of-age stories that I am aware of. Also it’s not that kind of horror movie. The titular Witch is real, but she never ever once jump-scares you. It’s much more frightening in the sense of seeing the events unfolding around this family and how awful life must have been back on those days. Especially for women. Sure, the supernatural elements might not exactly hit, but there’s plenty of other unsettling stuff in there that folks could easily relate to.

If there’s one gaping flaw with the film, it’s that it is so very incredibly hard to make out what anyone was saying. The dialects and accents are so thick that I had to turn on subtitles ten minutes in because I simply could not make heads or tails of the dialogue.

On the whole, though? Super good movie. It was not at all what I was expecting when I turned it on, and I’m so glad that I watched it. I’ll likely be telling people about this one for the duration of the 2016 Halloween season. Maybe even longer.

Here’s one little spoiley, because I need to type out this sentence: Someone literally gets ground into paste. But I won’t say who. *wink*

TE Movie Review: Holidays

It’s smack-dab in the middle of summer, which is scientifically proven to be the farthest point in the year from any holidays that are worth celebrating. Canada Day seems like a distant memory now, and Thanksgiving is basically a lifetime away.

So what better time to watch a movie all about holidays?

I noticed the film simply titled Holidays on Netflix after burning through the first half of the new season of BoJack Horseman the other night, and though I tend to shy away from horror movies a little more now that I live alone (I’m a big scaredy baby), I knew in my heart that I needed to watch this one. And not even in a “put it in the queue” sense. No, I played that sucker right then and there.

holidaysban

Holidays is a horror anthology, a genre that I had never really warmed to until very recently. It is composed of eight short films, each themed around a different holiday, and each by a different writer/director. It’s a lot like The ABCs of Death, but a little more substantial, because you’re not splitting the run time between 26 bite-size shorts. The eight stories here definitely vary in quality just about as much as the vignettes in The ABCs of Death, though. I’ll go through them in order of least to most enjoyable.


Mother’s Day – I thought this was the weakest story of the bunch, but that’s not the most damning criticism, because it’s not really bad. It could definitely be more interesting if fleshed out into a full story, but it just pales in comparison to the rest of the stories featured in Holidays. What bothered me the most is the, uh, “effect” at the end, which… is hard to describe without spoiling it. But I rewound it a couple of times just to check it out, and there’s just some weird spatial issues. It wouldn’t be worth most people’s time to pick at a half-second shot like this, but it bugged me because it was it was just so slightly off. If you’re really curious, but don’t want to watch the movie, the shot in question is like the second result if you type “holidays movie” into Google image search.

St Patrick’s Day – Again, not really a bad tale, but just totally friggin’ weird. Not really that horrifying, either? There’s a disturbing bathtub scene, but that’s the worst of it. Actually, it’s a lot like the Mother’s Day short, but with a slightly different bent. It’s also longer, and the ending is completely bonkers. They’re both stories about women who end up pregnant with non-human babies. Babies is the wrong word entirely for both scenarios, but I am not smart enough to know what the most fitting word would be. Anyway, this one’s got a little more characterization in both the mother and the folks around here, whereas Mother’s Day is more about the events than the people involved in them. I typically prefer stories that are more about the characters.

Halloween – This short was written and directed by Kevin Smith. Which means that I was very excited to see it, but was unsure about where it would land on the quality scale (EDITOR’S NOTE: Ryan, you still need to watch Tusk). This is the story of three camgirls and their abusive boss. When he won’t give them the night off for Halloween and then attempts to rape one of them, the girls knock him out and then get even. Or, I don’t know, maybe a little more than even. Depends on how many times he successfully violated these women. Anyway, it’s pretty gross, and I don’t think it even makes sense? Also, there’s a really cringe-inducingly awful monologue about halfway through that really takes the cake. Like, uuuuugh, I know you can write better than this, Kevin Smith. It’s probably the actual worst short of the bunch, but those other two were just so tepid that I had to rank them lower.

Valentine’s Day – This is the opening short of the collection, and it really only ranks low on my list because it’s totally predictable from the first minute. It is the story of a young girl who has a crush on her swimming coach and is bullied by her classmates. Can you guess what happens yet? Yeah. I do like the way that the main antagonist’s shield breaks down as the story comes to its climax, how it strips away her toughness and shows her vulnerability when there’s nobody around to posture for. Said climax is slow and brutal, and the conclusion wraps it up perfectly. Quite opposite of Mother’s Day, this story definitely works best as a short, and would really lose a lot if it was stretched out any longer.

Easter – You  know when you’re a kid, and you start thinking about the holiday mascot stories that your parents tell, and start asking questions? That’s what this story is about. The first half is just a little girl pissing her mom off, asking too many questions about the Easter Bunny and Jesus and if Daddy is ever coming home. She’s unusually terrified by the thought of seeing the Easter Bunny, so of course, that’s what happens. Sort of. The second half is definitely surreal and feels a lot like the kind of thing that you’d see from Guillermo Del Toro. I enjoyed the creative twist they employed here, and the downer ending really stands out from the rest. Easter may only be halfway up the list here, but that’s only because the top four are almost all equally good. It’s all top-notch stuff from this point on.

Christmas – I’d just like to point out that the main character here is played by Seth Green. That’s already got my attention. In this short film, he plays a down-on-his-luck husband and father, who lost out on the year’s hottest toy on Christmas Eve when a shopkeeper sells the last unit to some smug douche. Said douche has a heart attack in the parking lot, and Seth Green proceeds to swipe the VR headset thingy and leave the man to die like a chump. It’s a very Twilight Zone kind of story, where the headset shows you content tailored personally for you, and of course Seth Green gets some very shocking visuals when he tries it out. Also, there are two twists! Both of them good! Great, even! The two shorts couldn’t be any more different, but I cannot for the life of me decide if I prefer Easter of Christmas. They’re both amazing, so let’s call it even.

New Year’s Eve – Scene: A schlubby apartment. A woman is bound and gagged in a chair. A clearly unwell man laments that their relationship is lacking, and has his gun jam on him twice before he successfully blasts her brains all over the wall. Cut to a young woman sitting in her apartment, bored and alone, browsing a dating website. She stumbles across the profile of the man we saw earlier, no way to know about his murderous tendencies. On New Year’s Eve, the two meet for dinner. This can not end well. But it kind of does? At its climax, the story folds in on itself and becomes darkly hilarious. The final shot is so entertaining, and makes for the perfect ending to this anthology. It is bittersweet, however, because I keep thinking about how much my ex-wife would love this short. Oh well.

Father’s Day – I said that the top four shorts were all pretty evenly matched, but that was sort of a lie. Father’s Day really goes above and beyond. It is amazing, and beautiful, and haunting, and I simply cannot stop thinking about it. Partly because it is amazing and beautiful and haunting, and partly because I don’t have the level of understanding necessary to really get what happened. Perhaps it is supposed to be ambiguous, though. All I know for sure is that it hit all the right buttons for me. It told a very affecting story with simplicity and elegance, with the kind of horror that makes you yearn to know more, though its brevity makes it all the more enchanting. I want to watch this short again and again and again. I want to read analyses of it from other enthusiasts. I want to have a service that can direct me to similar content. I loved it, and if a person could marry a short film, I’d be on my knee proposing to this one.


So there you have it. All of your questions about Holidays answered, and probably a lot of answers for questions that you didn’t have. Wait, no. I didn’t really go into the specifics of any of the segments, so you probably have a ton of unanswered questions. Welp, this is a dumb paragraph and we all know it, but that’s become somewhat of a tradition here, so I’m going to keep to it. Professionalism be damned! This is a hobbyist website, and I’ll write stupid conclusions if I damn well want to!

A weird thing to complain about

There was once a time, many years ago, when I used to go to the movies a lot. For a long time, I used to go at least once a week. Eventually, both time and money became an issue, and going to the movies just didn’t happen very much any more. Sure, I’d get out to anything that had the name Marvel stamped on it, but by and large, trips to the theatre became much rarer. In 2015, I think I probably saw a total of three movies in the theatre.

It seems like I’ve been going to significantly more movies as of late (this Friday will be the fourth Friday in a row that I’ve gone to the theatre), and while the experience is obviously a little different from how it used to be, there’s one relatively minor change that’s really bugging me.

Back in the day, the pre-show used to feature a music segment where one of the hosts would talk to some musician or another about their upcoming or recently released album. These would almost always be Canadian indie musicians that nobody has ever heard of, and almost never would their musical styles appeal to me back then, but I think that nowadays I’d definitely look up some of the artists that were featured.

Now, there are just commercials for whatever mass-produced pop garbage is hot at the moment. Not even interviews, just the same commercials that you’d see on TV or YouTube.

Why did it disappear? I have no idea, really, but a little Googling suggests that the music segment was sponsored by SiriusXM. Presumably the sponsorship deal came to an end and the music interviews got axed in the process.

Like I said, I never really cared for most of the indie stuff that was featured before, but I definitely held a certain appreciation for the segment. It highlighted music that is underrepresented and tried to push people in the direction of finding something new. It was nice to see a mainstream media avenue give exposure to non-mainstream music; a painless way to introduce people to the idea that music exists outside of radio garbage.

Of course, the interviews were never long or in-depth, because it was just a short segment during the pre-show, but it was easily the most interesting segment. But that’s dead now. Instead, we just get told to buy the godawful new Ariana Grande album. It’s so disheartening.

The music segment wasn’t the only thing to go either. Nearly every segment with any sort of thought put into it has been axed in favour of more commercials and Toys R Us ads hosted by the most obnoxious kids on the planet. There aren’t even periodic trivia bits any more. I used to try to get to the movies early because I enjoyed the pre-show, but now I just get there early to make sure I get a decent seat.

Rimshot & Clunk

I went to see the Ratchet & Clank movie with my brother last week. It was totally out of left field because I had no idea that they were making a movie, and also I’ve never played a single second of any of the Ratchet & Clank video games. But the little bro is a big fan, and I’m always down for a movie (as long as I have gift cards in pocket), so off I went.

ratchet-posterIt was not a bad movie. In fact, I might dare to say that I liked it, for the most part. The characters were fun, although I must admit that Clank is like the polar opposite of what I was expecting from a little robot sidekick. I thought he’d be like the comic relief to Ratchet’s more serious heroic role. But no. In fact, Clank was the only character who was not constantly trying to be hilarious (oh and also John Goodman, but I forget what his guy’s name was).

And therein lies my only real beef with Ratchet & Clank: it’s constantly trying to be funny, and failing at nearly every turn. Like, it’s always on. The never-ending gags are more exhausting than anything, and we were less than ten minutes in before I started wondering to myself if it was ever going to dial it down.

In all fairness, I chuckled a few times and there were a couple of legitimately funny jokes, but most of the time it was just stupid things that were in no way funny. On the other hand, the few Playstation references were very subtle and well-placed, and I really appreciated those. Some jerk in the theatre appreciated them way more than I did, as he would holler out in excitement every time.

“OH MAN, THAT’S THE BOOT-UP SOUND FROM THE ORIGINAL PLAYSTATION! HA HA HA HA AWESOME! EVERYBODY LOOK HOW SMART I AM ABOUT PLAYSTATIONS! I AM IRRESISTABLE TO WOMEN, BUT I AM MAKING THE CHOICE TO BE SINGLE!”

Alright, so maybe I’m exaggerating. But only a little.

In conclusion, Ratchet & Clank isn’t horrible, but nerds are.

TE Movie Review: Basket Case

basketcaseI’ve been intending to watch Basket Case for over two years now, and only last night did I finally get around to it. Of course, I didn’t exactly watch the movie as I did watch bits of it while waiting for gold to accumulate in Clicker Heroes. Also I sat there with it paused for about 20 minutes at one point while I mulled over whether to go out and get a pizza or not.

I’m really bad at watching movies, is what I’m getting at.

Basket Case was a lot of fun, though. An early 80’s monster movie, it really should have been more engaging for me, as that’s precisely the kind of thing I love. Or, used to, anyway. I haven’t watched such a film since… I don’t know, Pumpkinhead, two Halloweens ago? I used to watch cheesy horror films all the damn time. I don’t know what happened to me…

But that’s besides the point. The first thing you’ll notice about Basket Case is that the acting is all over the place. A lot of it is perfectly competent; not good, really, but not so bad that you’d ding the movie. But then, every once in a while, there is a line (occasionally an entire scene) that is delivered so poorly that you can’t help but chuckle to yourself.

Continue reading TE Movie Review: Basket Case