I’ve only briefly mentioned In This Moment on this blog, but rest assured, I am a big fan. Been rocking The Dream for years now. Listen to it all this time. It’s a pretty perfect album for me; one of my all-time favourites (that “Call Me” cover? To die for). Despite that, I never bothered to check out the albums that came immediately before or after it.
I did, however, take Blood out for a spin as soon as it released. I was not terribly into it at the time, as it was way heavy and angry and violent. 2012 Ryan must have been some kind of sissy or something. I’ve been listening to it a lot lately and I’ve really gotten into it. Love the screaming. Love the rawness. Love how absolutely badass Maria is.
The fact is that I’m not good at following music, so I had no idea that In This Moment had released a new album in November of last year. I made getting Black Widow onto my iPhone my number one priority as soon as I learned of its existence. (Also Savages by Breathe Carolina, but that’s a story for another day.)
I went for a walk as soon as it was done downloading so that I could listen to the album without distraction (I can’t sit still for a whole hour!). I was not prepared.
Black Widow opens with a ball-to-the-friggin’-wall instrumental piece that sets the scene very nicely. It’s got this pumping drum beat and air raid sirens and that weird radiation detector feedback noise. And it’s damn spooky. If I played this alone at night, I’d probably be frightened if it weren’t so cool. Great, great intro.
The rest of the album follows suit, with plenty of twisted, macabre lyrics. Maria’s voice isn’t as sweet as it used to be, and that goes very well with the grim subject matter. The industrial metal sound is not the kind of thing that I usually tell people I’m into, but I so am. Guitar riffs that will tear your face off, drums that you can feel in your gut. Even the more techno-influenced elements are perfectly in place, awesome and terrifying at the same time.
“Big Bad Wolf”, “Black Widow” and “Bones” are my favourite tracks, but I can’t deny that “Sex Metal Barbie” and “Sick Like Me” are just as great. “Dirty Pretty” seems like a Lady Gaga song, if Lady Gaga was more angry and hardcore. “The Fighter” is a sweet, confident track that starts with a duet between Maria and a piano, which builds nicely as the rest of the band joins in. “Sexual Hallucination” is an actual duet with some dude from a band I’ve never heard of (Shinedown). “Bloody Creature Poster Girl” and “Natural Born Sinner” are also songs on the album. Perfectly good but not really things that I have a specific thing to say about.
The last two tracks on the album, “Into the Darkness” and “Out of Hell” really turn the entire thing around. “Into the Darkness” is like a minute of Maria trying to justify her existence and express her love to an abusive male voice that is constantly slandering her. Then another solid minute of her sobbing in silence before regaining her composure and heading out the door. It’s one of the most disturbing things I’ve ever heard and makes me feel deeply uncomfortable every time. I suppose that’s the point. Art, man.
“Out of Hell” is a heartfelt ballad devoted to all those who’ve suffered life on the streets. It’s sorrowful and beautiful; tales of downtrodden youth and how difficult it can be to find support. Sadly, it’s hitting a little close to home these days, and makes me want to re-evaluate my entire self-centered life.
So yeah, Black Widow is definitely a home run with me. I’ve listened to it at least twice a day since I got it, so it’s safe to say that I dig it. It’s spooky, emotional, thought-provoking, confident. And it just rocks. There are layers to pick apart here, and I’m barely scratching the surface with this review.
I guess that’s enough words for now. I’m bad at talking about music and generally nobody takes my recommendations seriously anyway. Maybe because I don’t recommend the same cookie-cutter pop garbage pushed by record labels that the majority of people so willingly choke down.
METAL 4 LIFE