{"id":7791,"date":"2018-10-26T08:00:16","date_gmt":"2018-10-26T13:00:16","guid":{"rendered":"http:\/\/torrentialequilibrium.net\/?p=7791"},"modified":"2018-10-21T17:28:53","modified_gmt":"2018-10-21T22:28:53","slug":"spooktober-movies-the-second-edition","status":"publish","type":"post","link":"https:\/\/torrentialequilibrium.net\/?p=7791","title":{"rendered":"Spooktober Movies: The Second Edition"},"content":{"rendered":"<p><b>Gyo: Tokyo Fish Attack<\/b><span style=\"font-weight: 400;\"> &#8211; I was looking for something a little different than the usual horror movie fare, and then it hit me: I never watch any <\/span><i><span style=\"font-weight: 400;\">animated<\/span><\/i><span style=\"font-weight: 400;\"> horror movies. After a cursory Googling, it seems to be because there are very few animated horror movies. And most of them are anime. So with that limitation in mind, I set off to see what I could dredge up.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The first result that I found interesting enough to pursue was <\/span><i><span style=\"font-weight: 400;\">Gyo<\/span><\/i><span style=\"font-weight: 400;\">. This is a movie about fish that are attached to strange walking machines, which randomly start attacking Tokyo and other Japanese cities. It\u2019s incredibly weird. Like, I expect anime to be weird, but this one is so far out there. <\/span><i><span style=\"font-weight: 400;\">Somehow<\/span><\/i><span style=\"font-weight: 400;\">, if a person is stabbed by the walking machine\u2019s spidery legs, they contract a virus that makes them bloat up into a green mess, and then start farting and belching out a noxious gas. Then, they\u2019re captured by the walking machines, which use said gas as a sort of energy source. None of it makes any sense, and at the end some guy makes an offhand remark about how the walking machines are not from Earth. Whaaatever. I really don\u2019t like when the \u201cit must be an alien\u201d excuse is used to handwave away anything the writer can\u2019t be arsed to explain, but then isn\u2019t followed up on at all. Tell me more about the aliens, dammit!<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Anyhow, the plot is about some girl who is on vacation, but then goes back to Tokyo to find her fianc\u00e9e when the fish start attacking. Fish- and zombie-related horror ensues, that\u2019s about as much as I care to describe. There\u2019s plenty of violence and unsettling imagery, but it never gets overly gory. The bulk of the second act is mechanized sharks attacking the city, but you never really see anyone get bitten or anything. It\u2019s mostly just gross, what with the gassy zombies and all. At one point there\u2019s a walker that has captured dozens of zombos, which may be the most disturbing part of the movie. Also our heroine gets all groped up by a mechanized octopus, because it\u2019s anime and of course that had to happen. I wouldn\u2019t really say it\u2019s worth watching, even if you really like weird stuff like this. I never felt compelled, and while I liked the nice, clean animation, that\u2019s not really enough reason to spend to 90 minutes on <\/span><i><span style=\"font-weight: 400;\">Gyo<\/span><\/i><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><b>Lily C.A.T.<\/b><span style=\"font-weight: 400;\"> &#8211; My second choice for animated horror is even more sci-fi than the last, and significantly more enjoyable. This one is from 1987, and is very clearly inspired by the likes of <\/span><i><span style=\"font-weight: 400;\">Alien<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">The Thing<\/span><\/i><span style=\"font-weight: 400;\">, and <\/span><i><span style=\"font-weight: 400;\">2001: A Space Odyssey<\/span><\/i><span style=\"font-weight: 400;\">. There\u2019s even some talk about the effects of time dilation, which feels like it\u2019s pulled straight out of <\/span><i><span style=\"font-weight: 400;\">The Forever War<\/span><\/i><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The story starts out with a number of volunteers taking off on a deep-space mission, off to explore a new planet, probably for colonization? I don\u2019t think they ever said the exact goal of the mission. While the crew is sealed away in their sleepy-pods, the ship autonomously catches a hunk of space debris and pulls it inside. Obviously, we don\u2019t learn what it is until later on, but it\u2019s not long after everyone wakes up that people start dying left and right. Also their bodies vanish when nobody\u2019s looking. Not only that, but it seems that two of the volunteers have gotten on the ship with false identities, and could possibly be out to cause trouble!<\/span><\/p>\n<p><span style=\"font-weight: 400;\">If you hadn\u2019t come to this conclusion after that paragraph, this film is basically <\/span><i><span style=\"font-weight: 400;\">Alien<\/span><\/i><span style=\"font-weight: 400;\">. The extra-terrestrial in question isn\u2019t nearly as iconic as the Xenomorph, but it\u2019s definitely a force to be reckoned with. Should you need another reason to be interested in it, I don\u2019t know if it\u2019s because of the vintage, but it <\/span><i><span style=\"font-weight: 400;\">Lily C.A.T.<\/span><\/i><span style=\"font-weight: 400;\"> doesn\u2019t have that anime <\/span><i><span style=\"font-weight: 400;\">feel<\/span><\/i><span style=\"font-weight: 400;\"> to it that normally turns me off. Like, there\u2019s no close-up shouting, there are no gratuitous panty shots, there are no super-serious cliched lines. It\u2019s very natural and could be done shot-for-shot in live action without looking or sounding odd. The one itty bitty nitpick I have is that there are several scenes where information is displayed through dialogue on a computer monitor, and those flash by way too quickly. You absolutely need to pause to actually read them, but thankfully they\u2019re not overly important. I didn\u2019t bother to pause at all, and don\u2019t feel like I missed anything. At the end of the day, I\u2019d definitely recommend <\/span><i><span style=\"font-weight: 400;\">Lily C.A.T.<\/span><\/i><\/p>\n<p><b>It Came From Beneath the Sea<\/b><span style=\"font-weight: 400;\"> &#8211; Switching gears completely, last weekend I felt like the best way to make use of my Sunday morning would be a good old-fashioned creature feature. So I pulled out this DVD from my library &#8211; one that I had purchased many years ago, but for some reason never got around to actually watching. The results were mixed!<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This film comes from way back in 1955, which by my metric is the best decade for monster movies. You\u2019ve got <\/span><i><span style=\"font-weight: 400;\">The Blob<\/span><\/i><span style=\"font-weight: 400;\">, you\u2019ve got <\/span><i><span style=\"font-weight: 400;\">Them!<\/span><\/i><span style=\"font-weight: 400;\">, you\u2019ve got friggin\u2019 <\/span><i><span style=\"font-weight: 400;\">Godzilla<\/span><\/i><span style=\"font-weight: 400;\">. Whole lotta stone-cold classics. Sadly, I don\u2019t think that <\/span><i><span style=\"font-weight: 400;\">It Came From Beneath the Sea<\/span><\/i><span style=\"font-weight: 400;\"> really qualifies as a \u201cclassic\u201d per se. While I absolutely appreciate the style of the film, it suffers from way too much in the way of people. By my estimation, it was nearly halfway through before we saw so much as a single giant tentacle. The monster didn\u2019t even really get to wreaking havoc until the last quarter. Maybe the last third, to be generous. However, once the monster did show up, I was pleased as punch. The stop-motion effects are so delightfully quaint, but probably cutting-edge for the time, and I really can\u2019t get enough of stuff like that.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">As I said though, there\u2019s so much focus on the characters here, and <\/span><i><span style=\"font-weight: 400;\">way<\/span><\/i><span style=\"font-weight: 400;\"> too much time invested in the love story. And since it\u2019s a 50\u2019s movie, it\u2019s not even so much a love story as it is the male lead forcing himself on the female lead until she decides to give in. She\u2019s visibly disinterested for most of the run time, and I don\u2019t think she was that into the dude even by the end. But whatever, it\u2019s an artifact of the time. You can\u2019t change history. At least they also spend a decent amount of time trying to explain the science of what\u2019s happening, about how the monster came to be and why it\u2019s attacking people. In the end, I think it\u2019s worth watching if you\u2019re into the genre. I know that sounds like a cop-out, but I don\u2019t imagine that anyone who isn\u2019t into monster movies would give even half a flip about this one. It\u2019s alright, but not nearly good enough for mass appeal.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gyo: Tokyo Fish Attack &#8211; I was looking for something a little different than the usual horror movie fare, and then it hit me: I never watch any animated horror movies. After a cursory Googling, it seems to be because there are very few animated horror movies. And most of them are anime. So with &hellip; <a href=\"https:\/\/torrentialequilibrium.net\/?p=7791\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Spooktober Movies: The Second Edition<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,22,27,19],"tags":[],"class_list":["post-7791","post","type-post","status-publish","format-standard","hentry","category-film","category-holidays","category-spooky","category-zombies"],"_links":{"self":[{"href":"https:\/\/torrentialequilibrium.net\/index.php?rest_route=\/wp\/v2\/posts\/7791","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/torrentialequilibrium.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/torrentialequilibrium.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/torrentialequilibrium.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/torrentialequilibrium.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7791"}],"version-history":[{"count":1,"href":"https:\/\/torrentialequilibrium.net\/index.php?rest_route=\/wp\/v2\/posts\/7791\/revisions"}],"predecessor-version":[{"id":7792,"href":"https:\/\/torrentialequilibrium.net\/index.php?rest_route=\/wp\/v2\/posts\/7791\/revisions\/7792"}],"wp:attachment":[{"href":"https:\/\/torrentialequilibrium.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7791"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/torrentialequilibrium.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7791"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/torrentialequilibrium.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7791"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}